The critically acclaimed production of the William Shakespeare tragedy is set in war-torn 1990s Yugoslavia. Performances play Shakespeare Theatre Company's new Sidney Harman Hall, 610 F St., NW). It opened June 22 after previews from June 16. The engagement was previously scheduled to run through July 19.
Falls said in production notes, "I wanted to challenge myself into thinking about theatre and about life in a more immediate, contemporary, daring way."
Falls' production of King Lear, with Keach and members of the current company at Shakespeare Theatre, originated at Chicago's Goodman Theatre in 2006.
For tickets call (202) 547-1122 or visit ShakeaspeareTheatre.org.
* Most recently, Keach was Nixon in the 2008-09 national tour of Frost/Nixon.
According to STC, "Tony Award winner Robert Falls remounts his 2006 production, which captures both the stark violence and devastating passion of Shakespeare's masterpiece. Stacy Keach will play the title role, returning to STC for the first time since Macbeth in 1995."
The cast includes Kim Martin-Cotton as Goneril, Kate Arrington Regan, Laura Odeh as Cordelia, Andrew Long as Albany, Chris Genebach as Cornwall, Aubrey Deeker as King of France, Edward Gero as Earl of Gloucester, Joaquin Torres as Edgar, Jonno Roberts as Edmund, Steve Pickering as Earl of Kent, Howard Witt as Fool, Dieterich Gray as Oswald, Hugh Nees as Old Man, Gary Neal Johnson as Knight, Conrad Feininger as Medic, David Blixt Captain, plus Norman Aronovic, Stacey Cabaj, Billy Finn, Dan Istrate, Dan Lawrence, William LeDent, Matthew B. Luceno, Brian MacDonald, Carol Randolph, Jeffrey Scott, Amanda Tudor, Scott Hamilton Westerman.
Keach has played many of Shakespeare's great roles, including Hamlet, Richard III, Falstaff, Coriolanus, Macbeth and Henry V. He is also known for his portrayal of Mickey Spillane's noir detective Mike Hammer on TV, and as Warden Henry Pope on the TV series "Prison Break." In 2006, Playbill magazine's Merv Rothstein asked the actor: Why Lear, and why now?
"I figured I'd better do Lear before I get too old, so I can still move up the mountain," Keach said. "I think the role of Lear is always sitting there, waiting to be addressed, and attacked, and absorbed into the actor's psyche, the actor's soul. I always equate it with a mountain because it probably provides more challenges, both emotionally and physically, than do most all of Shakespeare's roles. It poses challenges that modern theatrical roles don't possess — the concentration, the physical prowess, the stamina. It's like Hamlet, only the older version."
The creative team features Walt Spangler (set designer), Ana Kuzmanic (costume designer), Michael Philippi (lighting designer), Richard Woodbury (sound designer), Rick Sordelet (fight director), Ellen O'Brien (vocal coach), David Paul (assistant director), Hannah Todd (directorial assistant), Akiva Fox (literary associate), Lloyd Davis Jr. (stage manager), Benjamin Royer (assistant stage manager).
"One of the most powerful dramas in Western literature, King Lear is both an intimate family drama and an explosive political epic," according to STC. "Beginning with a monarch's division of his kingdom amongst his three daughters, Lear explores the most basic questions of human existence: love and duty, power and loss, good and evil."