Edward Hall's All-Male Winter's Tale and Kane's 4.48 Psychosis With Huppert Due at BAM in 2005-06

News   Edward Hall's All-Male Winter's Tale and Kane's 4.48 Psychosis With Huppert Due at BAM in 2005-06 Edward Hall, the director currently represented on Broadway with A Streetcar Names Desire, will return to New York City—Brooklyn, in fact—when he brings his new production of A Winter's Tale to the Brooklyn Academy of Music this fall.
Edward Hall
Edward Hall Photo by Aubrey Reuben

The production, which will play the Harvey Theatre Nov. 2-6, will feature an all-male cast. The so-called problem play which Shakespeare wrote late in his career concerns love, suspicion and redemption as expressed through the tale of King Leontes, who imprisons his wife and banishes his best friend because he thinks (wrongly) they have carried on an affair behind his back. The show is produced by Hall's British company, Propeller.

Also scheduled for a fall production is the late British playwright Sarah Kane's 4.48 Psychosis, running Oct. 19-30. The play, in which the central character dreams of going to the doctor's and being given just eight minutes to live, received its premiere in London in 2000, a year after the writer's February 1999 suicide.

The new production is presented as part of "ACT FRENCH: A Season of New Theater from France," running in New York July 15–Dec 15. According to press materials, French theatre director Claude Régy stages the play, "which contains no conventionally defined characters—into a quasi monologue. Renowned actress Isabelle Huppert —in her U.S. stage debut—becomes the central voice, offset by occasional exchanges with a therapist (played by Gérard Watkins)." 4.48 Psychose played October 2002 at the Théâtre des Bouffes du Nord in Paris.

Huppert is one of France's biggest film stars, known for such internationally praised movies as Claude Chabrol’s "Violette Nozière" and "The Story of Women" and Jean-Luc Godard's "Every Man for Himself" and "Passion," and Michael Haneke’s "The Piano Teacher" (2001).

Kane, whose plays include Blasted, Cleansed and Crave, committed suicide just days after her 28th birthday. The young playwright rose controversially to prominence in 1995 when, at age 23, she had her first play, Blasted, staged by the Royal Court. The play disgusted many critics with its portrayal of cannibalism and male and female rape. Kane's predilection for violence continued to divide critics in subsequent plays—Phaedra's Love, which she also directed, at the Gate Theatre and, back at the Royal Court in 1998, Cleansed. Her final work before her death, Crave, received its world premiere at 1998's Edinburgh Festival Fringe and later received a London run back at the Royal Court. The play, in which four characters sit and talk in verse of obsessive love, was more enthusiastically received by critics who appreciated the lack of gore and believed it demonstrated Kane's maturity as a playwright. But, perhaps tellingly, the play ended with suicide.