Guirgis' Jesus, Helmed by Hoffman, Reopens OB, Nov. 21-Dec. 31

News   Guirgis' Jesus, Helmed by Hoffman, Reopens OB, Nov. 21-Dec. 31 The Stephen Adly Guirgis-written, Philip Seymour Hoffman-directed Jesus Hopped the A Train, the latest production from Off-Off Broadway's LAByrinth Theatre Company, was a rousing success this past summer, with overflow crowds often sitting in the aisle of the tiny Chelsea-area Center Stage. The prison drama closed on Aug. 12 as scheduled, to make way for another play, but Nov. 21 Jesus will rise again in a commercial run at the space on E. 13th Street.

The Stephen Adly Guirgis-written, Philip Seymour Hoffman-directed Jesus Hopped the A Train, the latest production from Off-Off Broadway's LAByrinth Theatre Company, was a rousing success this past summer, with overflow crowds often sitting in the aisle of the tiny Chelsea-area Center Stage. The prison drama closed on Aug. 12 as scheduled, to make way for another play, but Nov. 21 Jesus will rise again in a commercial run at the space on E. 13th Street.

The limited run will play only six weeks, until Dec. 31. Opening is Nov. 29.

A Train was not open for review at Center Stage, as it was intended as a workshop of sorts. Though the production was fairly polished, the team wished to work on it further.

Hoffman directed the piece, having only recently exited his role-switching duties in the Broadway production of True West. [See Playbill On Line's Brief Encounter feature story with Hoffman.] Guirgis is also author of OOB's Sistah Supreme.

A Train takes place in a northern city prison, and is primarily the story of two inmates. One, Angel Cruz, is a sweet, confused youth who rashly shot a local cult leader in retaliation for the guru's having drafted his best friend. In jail, he meets Lucius Jenkins, a Bible-quoting fitness freak who preaches a philosophy of positive thinking while busily trying to beat an attempt to extradite him to Florida for a series of serial murders. Trying to drive them apart is Valdez, a thuggish, abusive prison guard, while Angel's female lawyer, Mary Jane Hanrahan, goes a couple steps over the legal line to secure her client's acquittal. The production was given a kinetic, fast-moving production by Hoffman, complementing Guirgis' expletive-filled, serio-comic writing style.

Designing the show were Narelle Sissons (set), Mimi O'Donnell (costumes), Sarah Sidman (lighting) and Eric DeArmon (sound).

The original cast of Jesus will make the transfer. John Ortiz (Sueno, Cloud Tectonics) plays Angel. Ron Cephas Jones is Lucius, David Zayas is Valdez, Elizabeth Canavan is Hanrahan, and Salvatore Inzerillo is prison guard D'Amico.

Ron Kastner, Roy Gabay and John Gould Rubin produce.

Hoffman and Guirgis collaborated last year of LAByrinth's hit production of Guirgis' In Arabia, We'd All Be Kings, a production which enjoyed an extended run. The play was set amidst the current "new and improved" antiseptic Times Square, where alcoholic hookers, crackheads and gigolos meet to drink, talk, and have sex -- all trying to find their way to the next day.

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