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Woody Allen, Elaine May and Ethan Coen are perhaps the last three people on this planet you'd expect to sidle up to the press and chat about their work. They're the gold standard for Parsimonious, prizing their surprises, preserving their comedy.
Hence, reticence-to-the-third-degree was the order of the day when the press was invited to meet the 16 actors (but not the writers) performing Relatively Speaking, a trio of one-acts — Allen's Honeymoon Motel, May's George Is Dead and Coen's Talking Cure — in which each has an act to address family matters. It opens Oct. 20 at the Brooks Atkinson. I chatted with them while they were early in rehearsals.
"Oh, I can't tell you anything," Julie Kavner sweetly rasped at the outset. "We're not allowed to say a word because we want it to be a surprise for the audience. It's not just because it's a secret-to-be-a-secret. I think it's a very good thing. When I saw Woody's 'Midnight in Paris' — which I think is the most beautiful movie I've ever seen in my life — I knew nothing. I really knew nothing. I didn't read a review. I didn't know the story, so the surprise that's in the movie was a surprise and totally unexpected — and I think that's the way the three authors want the audience to come into this experience, being virgins and discovering it for themselves."
Because she has been in more Woody Allen vehicles than anyone else in the cast (seven!), it seemed fair to ask if she'd done characters like this before for Woody. "Not exactly," she shot back, wagging her finger. "You're fishing, you're fishing."
(I was, too.)
photo by Joseph Marzullo/WENN |
Mark Linn-Baker was a mite more informative. "I'm paired with Julie Kavner, which is a ton of fun," he brazenly admitted before folding like a pup tent with "We're the bride's parents, and — I don't want to give away too much because it's quite a piece."
This is his second outing with Allen, if you count the first (which he doesn't, particularly): "I did a small part in 'Manhattan.' When I was doing Shakespeare in the Park in 1978, he shot a scene in the Delacorte Theater. It was later shot somewhere else, and it was cut into the montage at the beginning of the film for just a brief moment. There's a screen credit at the end. I'm billed as the Shakespearean actor — except that my name is spelled wrong: M-A-R-Y. Mary Linn-Baker."
Steve Guttenberg filled in a few more blanks, but cryptically. "I'm the father of the groom, who makes a complicated choice, and then the comedy train starts rolling."
photo by Joan Marcus |
Caroline Aaron, a veteran of four Woody Allen movies, was more than happy to admit she was playing Guttenberg's wife, "which, may I say, if you get to have a fantasy husband, I'll take him. I'm the mother of the groom, and it's about a wedding. You know your children's milestones are the most meaningful parts of your life, and the wedding doesn't come off the way that I want it to so I'm very disappointed."
photo by Joan Marcus |
Thomas and May are pals of longstanding and, once, co-stars. "The producer of our play, Julian Schlossberg, produced a movie that we were in called 'In the Spirit,'" she said. "That's really the only time Elaine and I have worked together, but we've been friends for years, and I was just delighted when she called me and said, 'I've written a play, and I didn't realize this when I was writing it, but I think you'd be great in it.'
"I read it and just loved it. What I like about it is that it's completely not me. It's nowhere near me. I'm even a blonde in it. That's why I was so excited to be offered a part like this. Usually, when someone says, 'This part is great for you,' it's going to be you, so it's fun that it's not me. She's a very wealthy, pampered woman, and she's never taken any responsibility in her life. Now, her husband is gone, and she has to cope, and she just can't — but it's not me. I can cope."
photo by Joseph Marzullo/WENN |
Her co-star, Danny Hoch, walked on eggs as well: "I'm in Ethan Coen's play, and I play a — I'll just say I'm the acquaintance of a doctor. If I say anything more, it'll ruin everything. I'll leave it mysterious like that. In Woody's play, I deliver things . . ."
The most worked actor in the show is Murphy Brown's Miles Silverberg — Grant Shaud, who's busy one way or another in all three plays. Doing what, you ask? "I play — y'know, I'll just generalize — sort of a best friend in the Woody play. In Elaine's, I play a husband, and in Ethan's I'm understudying the lead."
photo by Joseph Marzullo/WENN |
"You don't pass up a chance to work with Woody Allen. You know, he's kind of a genius. It's a great experience. He's always looking for where maybe he might be able to take a word out of a sentence to make it tighter. He's sort of a real technician. He wrote the music so he knows where all the notes are, and he can point out to you if you're missing one. He's phenomenal. I'm thrilled beyond belief to be in this." Like Hoch and Shaud, Jason Kravits finds himself double-cast in the show — both times as a psychiatrist, but from different schools. "I have to change it up a little bit," Kravits confessed. "In Woody Allen's — as you can imagine — the psychiatrist is very Freudian. Everything is Freud-based. He quotes Freud. He loves Freud. He idolizes Freud. And in the Ethan Coen play, he's much more of a friendly psychiatrist who just wants you to talk and get your feelings out. He's much more touchy-feely. I'm usually the one who's sorting out the relatives. I'll put it this way: These relatives are crazy enough that they need two psychiatrists in at least two of the three plays."
Relatively Speaking actors not spoken to for this article include Lisa Emery and Richard Libertini. What could they possibly not add?