Last Chance To View Irondale's Degenerate Art; Ends OOB Dec. 12

News   Last Chance To View Irondale's Degenerate Art; Ends OOB Dec. 12
 
Last Chance to catch Irondale Ensemble's revised version of Degenerate Art at NY's Theater for the New City, running Nov. 24-Dec. 12, 1998. The show premiered there earlier this year.

Last Chance to catch Irondale Ensemble's revised version of Degenerate Art at NY's Theater for the New City, running Nov. 24-Dec. 12, 1998. The show premiered there earlier this year.

In 1937, the Third Reich confiscated more than 16,000 modern or avant garde paintings, sculptures, etc. from Germany's museums and displayed 650 of them in an exhibit titled, "Degenerate Art." By exhibiting these pieces, as well as more agit-prop works of their own creation, the Nazis attempted to prove to their people that modern art corrupted middle-class values and was a threat to society as a whole.

In Degenerate Art, Irondale compares the actions surrounding that exhibit with contemporary U.S. Congress hearings on funding public art, juxtaposing the two to examine what it is about art the government finds so intimidating. "The idea is to use this historical event, not as a documentary, but as an illumination for the current political and social climate," said Irondale's Executive Director Terry Greiss.

The Irondale Ensemble Project was founded in 1983, and has produced 29 Off-Broadway and Off-Off Broadway productions. They specialize in the technique and plays of Brecht. Recent productions include the American premiere of Brecht's Conversations in Exile, Edward Bond's The Bundle, Strindberg's Ghost Sonata (1995), Danton's Death (1994) and The Uncle Vanya Show (1990), a collaboration between Irondale and St. Petersburg's Salon Theatre.

For reservations or more information on the revised version of Irondale Ensemble's Degenerate Art, Nov. 24-Dec. 12, 1998 at the Theatre for the New City, call (212) 633-1292. The company's next project, due April 1999, will be a performance piece based on Shakespeare's King Lear.

-- By Sean McGrath

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