Laurie Metcalf, a Creature of the Stage, Returns to the Mystery of The Other Place, Now on Broadway | Playbill

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Special Features Laurie Metcalf, a Creature of the Stage, Returns to the Mystery of The Other Place, Now on Broadway Laurie Metcalf's passion for the stage continues with a return to Broadway in a play that brought her acclaim — Sharr White's The Other Place. This time, daughter Zoe Perry is by her side.

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Laurie Metcalf Photo by Joseph Marzullo/WENN

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Laurie Metcalf is doing this interview from a hospital room; but Metcalf, who is getting ready to star on Broadway as a biophysicist confronting a possible medical crisis in The Other Place, is not doing research for her role. "I'm learning to flush out an IV," she explains by way of greeting.

Her 12-year-old son was recovering from appendicitis and Metcalf and ex-husband Matt Roth were learning the process before taking him home. Metcalf admits that she feels some guilt flying off to New York while he recovers but says most of the time her theatre career is a perk for her three kids with Roth.

"They're able to stay in Los Angeles with their dad but when they come to see me in New York or Chicago or London, it's the best vacation," she says. In New York this time around there will be even more family, since Metcalf's onstage daughter is being played by her actual daughter — Zoe Perry (from first husband Jeff Perry). "I have my days free and we get to see these great cities, and they love hanging around the theatre."

No one in the family loves hanging around the theatre more than Metcalf herself. She recently had recurring roles in television series like "Desperate Housewives" and "The Big Bang Theory," and she returned as the voice of Andy's mom in the animated film "Toy Story 3," but she has really spent most of her time and energy over the last five years on stage, since her Tony-nominated performance in David Mamet's November.

David Suchet and Laurie Metcalf in Long Day's Journey Into Night.
photo by Johan Persson
"I work kind of backward — I never thought I'd end up living in L.A. — so now I'm always traveling to do theatre," she says. She ended up in L.A., of course, because of the role that made her famous, playing Roseanne's sister Jackie on "Roseanne," for which she won three Emmys and was nominated for four more (plus two Golden Globes).

She was nominated this past November for a London Evening Standard Award for her work as Mary Tyrone in Long Day's Journey Into Night, and she won an Obie and a Lucille Lortel Award last year for the Off-Broadway production of The Other Place. Playwright Sharr White was struck by how Metcalf is both so technically proficient and emotionally available, a combination that gave her the ability to "draw the audience in to her," which her character, Juliana, needs to do immediately. "I was just blown away," White says.

The previous year she also won an Obie for Ethan Hawke's superb revival of Sam Shepard's A Lie of the Mind. In 2010 the Illinois native also returned to Chicago's famed Steppenwolf Theatre Company for the first time in six years. She was part of the group's original ensemble — which included founders Gary Sinise, Terry Kinney and Perry, plus John Malkovich. She had appeared in 29 productions there from its start in 1976 to 1990, but only got back for another seven shows between 1991 and 2010, when she co-starred in the hit Detroit — all told, Metcalf has won seven Jeff Awards, Chicago's Tony equivalent.

Metcalf and Zoe Perry
Photo by Joseph Marzullo/WENN
Of the impressive versatility she has displayed moving between comedy and drama, contemporary and classic, she says it just happened organically, based on the scripts she was given. She does, however, find being the first to play a role in a contemporary play most exciting of all. "But it was definitely a conscious choice to go back to theatre," she says, in part because Hollywood doesn't offer as many "complicated and deep roles" as theatre does, especially for women as they get older and in part because theatre, her "first love," is where she's best able to "attack those kind of roles."

"The process is so different in theatre; you don't have to work out of order on scenes and you have the luxury of a longer rehearsal period," she says. That was necessary with Mary Tyrone, for instance, because "it was difficult finding my path to her mental state and to figure out how to moderate the [impact] of [Mary's drug abuse]."

It won't take that long with The Other Place, which opens Jan. 10 in a production by Manhattan Theatre Club at the Samuel J. Friedman Theatre, since she's already inhabited the character of Juliana Smithson (Off-Broadway, in its 2011 premiere by MCC Theater), but still, she says, "I've learned stuff in my life since then, so there's always something new I can apply."

Metcalf hopes to find even more vulnerability in this determined and intellectual character, who is so in command that she can otherwise come off as brusque, but she's confident that reuniting with director Joe Mantello while having new co-stars — in addition to her daughter, Daniel Stern has taken over the role originated by Dennis Boutsikaris Off-Broadway — to bounce ideas off.

"I'm very excited to see Laurie and Zoe work together," White says. "There are some real similarities in their speech and in their presence." Metcalf is excited about the cast and the role but in a way she's just excited to be working again. "I don't really love being between jobs," Metcalf says. "I'm happy whenever I'm in a rehearsal room. I've always gotten all my energy and creativity in there."

And it doesn't get old no matter how many times she has to leave home for a show. "I'm grateful that my passion for it has not gone away. I've loved every minute of every hour I've spent doing theatre."

(This feature appears in the January 2013 issue of Playbill magazine. Want a home subscription? Check out PlaybillStore.com.)

 
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