Conor McPherson's melancholy drama, The Weir, ends its regional run at Philadelphia’s Arden Theatre Dec. 17. Evening shows on Dec. 15 and 16 are sold out, but tickets to other remaining performances are still available.
The Weir examines denizens of a backwater Irish pub who try to impress an attractive female newcomer with their other-worldly ghost stories, only to be topped by her own tragic tale.
James J. Christy directs The Weir on the Arcadia stage of the Arden Theatre Company. Performances began Oct. 26, and the show officially opened on Halloween, Oct. 31. Starring are Megan Bellwoar as the newcomer, alongside Tim Carlin, Neal Hemphill, Michael Toner and William Zielinski. Designing the pub are David P. Gordon (set), Janus Stefanowicz (costumes), Curt Senie (lighting) and Peter Rydberg (sound), with Hazel Bowers serving as dialogue coach.
Though The Weir includes a number of lengthy monologues, the piece has more character interaction than some of McPherson’s other works, including the solo St. Nicholas and This Lime Tree Bower, in which three participants in the same event tell their stories in interweaving monologues.
For tickets ($22-$34) and information on The Weir (which had been set to run to Dec. 10 but was extended a week even before it started previews) call (215) 922-1122. *
The Arden Theater Company kicked off its season with Shaw’s Candida and will start the new year with the world premiere of Dennis Raymond Smeal's Exit Wounds, Jan. 18-March 4, 2001. Stuck delivering pizza after losing his job as a lawyer, a man copes with his recent divorce and the possible onset of madness. The comedy-drama of intertwined monologues received a December 1999 reading as part of Arden's Independence Foundation New Play Showcase. First penned as a solo, Exit Wounds was then expanded into a 90-minute, four character work. Terrence J. Nolen staged the December reading and will direct the full production. No word yet on the cast, but the reading featured Megan Bellwoar, Mary Martello, Ian Merrill Peakes and Greg Wood. Other works by Smeal include When The Jacaranda Blooms and Hearts.
From madness the Arden then turns to divine inspiration, via Steve Martin's absurdist comedy, Picasso at the Lapin Agile, in which the famous painter encounters a young Albert Einstein in a Paris bar. They discuss food, women and the universe, only to be interrupted by another kind of genius: Elvis. Aaron Posner will stage the show, a hit Off Broadway and regionally, on the Otto Haas Stage March 1-April 1, 2001.
Closing the season will be a rarely-revived, big Broadway musical: The Baker's Wife, with music by Stephen Schwartz (Godspell) and a book by Joseph Stein (Fiddler on the Roof). Producing artistic director Terrence J. Nolen will stage the show, which tells of a baker's beautiful wife running off with a handyman and sending her husband into a tailspin. One song from the show, "Meadowlark," has become a signature cabaret tune for the likes of Betty Buckley and Patti LuPone.
The Arden Theatre is located at 40 North Second Street in Old City Philadelphia. For tickets or subscription information to the Arden season call (215) 922-1122.
- By David Lefkowitz