Almost exactly one year from Fully Committed's kick off of the Vineyard's 1999 season, the hit one-man show will move -- with star Mark Setlock intact -- to Los Angeles' Coronet Theatre Sept. 12. Opening night is set for Sept. 15.
Beginning as the stressed out reservations clerk at the city's hottest four-star restaurant, Setlock portrays not only the eatery's staff but a series of outrageous guests clamoring for a table. These patrons run the gamut from killer Mafiosi and rich old ladies to supermodels and Wall Street tycoons.
Acting Fully Committed is no stretch for Setlock -- his real life experiences as an out-of-work actor desperately trying to find tables for a series of wealthy and outlandish patrons at a trendy Manhattan restaurant were the basis for Mode's play. Her other credits include writing for TV's "Cosby," HBO, Nickelodeon and Disney.
As well as appearing in the workshop production of Rent, Setlock understudied the lead role of Angel with the original Broadway company, later returning to the show in the ensemble as Gordon, Mr. Grey and others. Other credits include stints at Primary Stages, HERE, NADA and Ontological/Hysteric, but his real success came with Committed, netting him an Outer Critics' Circle Award in a tie with Olympia Dukakis.
Director Martin was recently named artistic director of the Huntington Theatre in Boston, a role he assumes in fall, 2000. He won the 1999 Obie Award for Christopher Durang's Betty's Summer Vacation and also directed Bosoms and Neglect at the Signature and Full Gallop. Fully Committed first opened Off-Broadway Sept. 30, 1999 with fully-committed reviews, extending, at the time, through Oct. 30 at the Vineyard. The show then moved to the Cherry Lane Theatre, where it will continue to run with a new star after Setlock leaves.
Tickets in Los Angeles are $45-$38.50. The Coronet Theatre is located at 366 North La Cienega Boulevard, one block north of Beverly Boulevard. For reservations, call (310) 657-7377. Fully Committed is on the web at www.FullyCommitted.com.
-- By Christine Ehren