Richard Nelson's well-reviewed drama, Goodnight Children Everywhere, which Playwrights Horizons was considering continuing on a week-to-week basis beyond the previous closing announcement for June 20, did indeed close on that date.
An extension beyond the original close date of June 13 had been announced (to July 11), but ticket sales could not live up to that goal.
The serious-minded drama, produced by special arrangement with Gregory Mosher and Arielle Tepper, concerned an emotionally-fraught reunion of British siblings separated by World War II.The Off-Broadway production began previews May 7 and opened May 26.
The 1997 work, seen in 1998-99 in a separate staging at the Royal Shakespeare Company's Barbican Centre space, is about fragile siblings reconstructing the idea of family after war. After the death of their parents, a 17-year-old brother and three sisters separated by World War II are reunited in 1945 London. Nelson directed his own work, which mainly focused on a needy sister and her maturing younger brother as they cross a physical and emotional line. All of the siblings suffer from conflicted feelings revolving around loss, parent figures, family roles and intimacy.
The young brother was played by Chris Stafford, a rising young actor who is seen in the coming-of-age, coming-out film, "Edge of Seventeen."
The company includes Jon DeVries, Heather Goldenhersh, Kali Rocha, John Rothman, Stafford, Robin Weigert and Amy Whitehouse.
Designers are Thomas Lynch (set), Susan Hilferty (costumes), James F. Ingalls (lighting) and Raymond Schilke (sound).
American playwright Nelson has often seen his work produced in England first. Anglo-American relations is a favorite subject of his plays. Past plots have features a group of American academics touring England (Some Americans Aboard); expatriate Brits living -- miserably -- in America (New England); and the famous rivalry between English tragedian William Macready and American actor Edwin Forrest, which resulted in the bloody Astor Place Riot of 1849 (Two Shakespearean Actors). He also wrote the libretto for the musical, Chess, among other works and adaptations.
-- By Kenneth Jones