New OB Season at Renovated CSC Has Glass, Race and Irwin Doing Nothing

News   New OB Season at Renovated CSC Has Glass, Race and Irwin Doing Nothing A renovated Classic Stage Company, under artistic director Barry Edelstein and producing director Beth Emelson, is presenting a 2000-2001 season comprising two Holocaust-themed works created by eyewitnesses to those events, the New York premiere of a musical theatre piece by composer Philip Glass, and Beckett's Texts for Nothing starring Bill Irwin.

A renovated Classic Stage Company, under artistic director Barry Edelstein and producing director Beth Emelson, is presenting a 2000-2001 season comprising two Holocaust-themed works created by eyewitnesses to those events, the New York premiere of a musical theatre piece by composer Philip Glass, and Beckett's Texts for Nothing starring Bill Irwin.

Samuel Beckett's Texts For Nothing, which will be both directed and performed by Irwin, is the story of a world-weary tramp who "stands on a hillside and surveys the universe." (Previews Sept. 28, opens Oct. 15, runs through Nov. 5)

The most recent major artist to try his hand at Beckett's Texts was Joseph Chaikin, who appeared in A Contemporary Theatre's production of the piece in September 1999.

Also on tap for the CSC season:

Race by Ferdinand Bruckner, which chronicles the rise of Hitler and its impact on a group of medical students, will be adapted and directed by Barry Edelstein. • The world premiere of the stage version of Victor Klemperer's acclaimed diaries, I Will Bear Witness, is Klemperer's recording, in meticulous detail, of "the humiliations and insults, absurdities and brutalities of a civilized society sliding into barbarism." The play will be adapted by George Bartenieff and Karen Malpede, directed by Karen Malpede and performed by George Bartenieff

(Presented as part of the "Classic Stages / New Visions" series, both of the Holocaust-themed plays mentioned above will run in modified repertory in conjunction with a major academic conference on Holocaust Drama and related issues at New York University.)

• The New York Premiere of a music-theater piece by Philip Glass, In The Penal Colony, based on the story by Franz Kafka, tells of a man's observations at a remote tropical penal colony where an officer demonstrates the Harrow, an elaborate machine for capital punishment; this demonstration puts both men's theories on crime, correction, mercy and justice to the ultimate test. The libretto for In the Penal Colonyis by Rudolph Wurlitzer and the piece will be directed by JoAnne Akalaitis.

CSC will also offer its series of free educational programming including Tuesday Talks, weekly post-performance discussions with the cast and artistic staff; and Saturday Symposia, presentations about the season's plays given by leading academic experts and thinkers from fields outside theatre.

Production notes indicate that theatre improvements include "a fully computerized box office system, a redesigned lobby and lounge area, refurbished rest rooms, a new handicapped accessible rest room, and a new central heating and air conditioning system."

Memberships to CSC productions are $25 which entitles members to purchase the best seats for between $15 - $25 per production. For membership and ticket information, call (212) 677-4210, ext. 10, or visit CSC in person at 136 East 13th Street.