OB's Class Act Ends Dec. 10, But Becomes Bway's Class Act Feb. 14

News   OB's Class Act Ends Dec. 10, But Becomes Bway's Class Act Feb. 14 A Class Act, the biographical musical comedy that tells the fictionalized story of A Chorus Line lyricist Edward Kleban, using his trunk songs, ends its sold-out world premiere Off-Broadway run at Manhattan Theatre Club Dec. 10, but will resurface at Broadway's Ambassador Theatre Feb. 14, 2001, opening there March 12.
Lonny Price and Randy Graff in A Class Act.
Lonny Price and Randy Graff in A Class Act. (Photo by Photo by Joan Marcus)

A Class Act, the biographical musical comedy that tells the fictionalized story of A Chorus Line lyricist Edward Kleban, using his trunk songs, ends its sold-out world premiere Off-Broadway run at Manhattan Theatre Club Dec. 10, but will resurface at Broadway's Ambassador Theatre Feb. 14, 2001, opening there March 12.

The initial run of the eight-actor "musical about musicals" (as it is billed) ends Dec. 10 at MTC's Stage II, where it began previews Oct. 3 and opened Nov. 9. Director, co-librettist and star Lonny Price previously told Playbill On-Line the show will re-rehearse in January for a Feb. 14 preview at the Ambassador Theatre and that cast changes are expected due to prior commitments of the performers (for example, Carolee Carmello is pregnant).

Marguerite Derricks will be choreographer for Broadway; Scott Wise (Jerome Robbins' Broadway, State Fair, Fosse) created dances for the Off-Broadway version, with some additional work by Derricks (who choreographed Price's pre-aborted pre-Broadway staging of Finian's Rainbow).

Marty Bell, Chase Mishkin and Arielle Tepper are the producers who will take the show to a Broadway berth. Good-to-mixed reviews and upbeat word of mouth greeted the new musical, which has a book by Price and Linda Kline. The show sold out early in its run.

Observers say the starless, small-cast show with a rarefied subject — a theatre songwriter who had only one hit but lots of hopes — has the feel of an Off-Broadway show, but would also fit snugly in a Broadway house, as it makes specific references to Broadway history, especially Kleban's lyric contributions to A Chorus Line. The show uses the late Kleban's music and lyrics; before he died in 1987 he longed to be taken seriously as a writer of both, but he seemed pigeonholed as a word man after writing A Chorus Line with composer Marvin Hamlisch. Scenic elements from the MTC staging are expected to be adapted for the Broadway production, and the orchestra may increase, Price said, but the cast size will remain the same.

Actress Julia Murney, of the MTC cast, has a featured role in Time and Again at MTC in January. The Off-Broadway designers — James Noone (set), Carrie Robbins (costumes), Kevin Adams (lighting) — will repeat their duties for the Broadway move. The Broadway cast will be announced in coming weeks. David Loud is musical director.

Calling the show "starless," of course, is relative: The ensemble cast of Price (Merrily We Roll Along), Jonathan Freeman (How to Succeed..., She Loves Me), David Hibbard (Cats), Julia Murney (MTC's The Wild Party), Nancy Kathryn Anderson (Jolson & Co.), Randy Graff (City of Angels, High Society) and Ray Wills (Wonderful Town at Encores!) and Carolee Carmello (Parade, The Scarlet Pimpernel) is made up of performers known and respected for their work in Broadway and Off-Broadway shows. The acting company earned strong reviews, and the intimacy of the MTC space allowed for a depth of performance rare in musical comedy.

The Broadway A Class Act will have a built-in marketing tool soon: A cast album was recorded Oct. 13. Release is expected in February 2001.

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The curtain rose Nov. 9 on the opening of A Class Act, which co-librettist Price also directs and stars in. He stepped into the lead role of "Ed" at the last minute.

The opening was previously announced for Oct. 31, but the nature of shaping the world premiere musical prompted the delay.

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In the biographical show, Price plays real-life lyricist-composer Ed Kleban, who is best known for his lyrics to A Chorus Line. The show spotlights Kleban — known to be pushy, cranky, neurotic — as both composer and lyricist. His composing skills were not as well known, and it was a source of pain that he never landed big as a composer-lyricist.

The show was constructed by co-librettists Kline (Kleban's longtime companion) and Price drawing on a hundred existing songs by Kleban. The tuner is presented at MTC in association with Musical Theatre Works, which Price heads. "Additional material" is by David Wolf.

A Class Act features unpublished songs (music and lyrics) written by Ed Kleban. Most have only rarely been performed, until now. The songs were "inherited by his friends when he died in 1987," according to production notes.

Kleban died of cancer before he matched the success he had contributing lyrics to 1975's A Chorus Line, his best known work. A prominent fund in his name (The Kleban Award, from The Kleban Foundation, Inc.) doles out annual cash prizes to up-and-coming lyricists and book writers.

Among characters is late musical director Lehman Engel, the blunt, bigger-than-life mentor to many songwriters, including Kleban, Maury Yeston, Skip Kennon, Alan Menken and others. The famous BMI Musical Theatre Workshop is named for Lehman Engel.

The score includes up-tempo numbers, ballads, comedy songs and more, the sort of stuff that is regularly discussed still today in the BMI Lehman Engel Musical Theatre Workshop. Some of the songs of A Class Act were heard years ago in the Engel class.

The score includes "Light On My Feet," "One More Beautiful Song," "Charm Song," "Paris Through the Window," "Mona," "Gauguin's Shoes," "Follow Your Star," "Better," "Next Best Thing to Love," "Broadway Boogie Woogie," "Say Something Funny" and more.

The audience at a recent performance at MTC sighed audibly when snippets of Kleban's lyrics to A Chorus Line ("What I Did For Love," for example) were sung. Some of Marvin Hamlisch's music from that smash show is included in A Class Act.

Orchestrations are by Larry Hochman and musical direction is by Todd Ellison.

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Co-librettist Kline has been committed to bringing his unpublished works to the stage since his death. She has written for television, and she also co-wrote the libretto for Theaterworks USA's The Secret Garden.

Director, actor and co-librettist Price is artistic director of Musical Theatre Works, which develops new works for the stage. His directing credits include Pal Joey (City Center), The Rothschilds, Juno and Sally Marr...and her escorts. As an actor, he has appeared in Master Harold...and the Boys, Merrily We Roll Along, Burn This, The Immigrant and Falsettoland.

Anderson received a 2000 Drama Desk nomination for her role in Jolson & Co., Carmello received Tony and Drama Desk Award nominations (and won the Drama Desk Award, along with Bernadette Peters) for her role in Parade and won an Obie Award for her role in Hello Again, Freeman's credits include How to Succeed In Business Without Really Trying, She Loves Me (Tony nomination), and Platinum on Broadway, Graff received both the Tony and Drama Desk Awards for her role in City of Angels and appeared in High Society, Moon Over Buffalo, Laughter on the 23rd Floor and the Roundabout Theatre production of Hotel Suite, Hibbard appeared as Rum Tum Tugger in 2,197 performances of Cats, Murney returns to MTC after appearing as Queenie in Andrew Lippa's The Wild Party (Drama Desk nomination), Wills appeared in the recent revival of Wonderful Town at City Center Encores!

A Class Act will be the third show in a year that started at MTC before transferring to Broadway: David Auburn's Proof and Charles Busch's The Tale of the Allergist's Wife began in 1999-2000 and made the move to Broadway in fall 2000.