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I'm back in NYC after a whirlwind tour of Cleveland. And by "tour," I mean one performance at PlayhouseSquare. Next up is Chicago and then Wilmington with Andrea Martin's hilarious show (tickets here). This week, I had a jam-packed "Seth Speaks" at SiriusXM and it was delish. First I had Andre De Shields as a guest, and I told him that I was obsessed with Ain't Misbehavin' when I was a kid. He talked about when it first opened in Manhattan Theatre Club's 1970s location, which was all the way on the East Side. He didn't know if it was going to be a big hit or just play out its initial run, until one performance when he noticed someone in the audience. He told us her name with a five second pause between each segment: "In the audience was…Jacqueline… Bouvier….Kennedy…Onassis." That was the first clue that they were going to be a mega-hit, then he noticed big-time Broadway producer Gerry Schoenfeld and then Manny Azenberg. It finally transferred to Broadway, where this little five-person show won the Tony Award for Best Musical! And it won over giant shows like On the Twentieth Century. What a coup! I did a deconstruction of some of my fave moments. Within the video I recreate a clear memory I have of being in sixth grade and loving Nell Carter's voice and trying to get somebody, anybody in my small Long Island neighborhood on board with me. This was before the internet, so there was no way to find other people who loved things like amazing placement in the mask and straight tone to vibrato. I was therefore consigned to forcing my friends to listen to various songs and hoping they'd connect. One afternoon in sixth grade, I called my friend Michael Smith, put the phone receiver next to the record player speaker and played him the end of "Cash For Your Trash." After it played, I started yelling into the phone, "She just belted an E! She just belted an E!" The silence I heard on the other end conveyed, "I don't know what belting is, I don't know what an 'E' is, I'm 11, what's happening!?"
Andre's first big break was in The Wiz and before it opened they kept asking him to audition for either the Lion, the Scarecrow or the Tin Man, but he told them he only wanted to play the Wizard. He got the gig and had an amazing entrance where he walked down a giant staircase in crazy, enormous heels. He learned how to do it without falling down because the director Geoffrey Holder gave him specific instructions that involved rolling your foot forward to feel the edge of the step. Who did Geoffrey learn it from? The glamorous Lena Horne! And so it is passed down.
I also had the lovely Megan Hilty on my radio show and she revealed that she got "Smash" after one audition! She wasn't even going to go in because the description of the role specifically stated that Ivy is an amazing dancer and Megan simply "moves well" as we say in the euphemism business. But her agent convinced her to go and she did her audition on tape. Usually, after an initial TV audition, you're called in at least one more time and then one final time for the network executives. Instead, Megan got a phone call asking her how tall she was. She wanted to know why and her agent told her it's because Steven Spielberg likes to know how tall someone is when he's watching their tape. Megan told her agent her height and then drank coffee at Starbucks while obsessively thinking "Steven Spielberg is watching me right now." This was the beginning of pilot season and Megan was prepared to deal with tons of headachey auditions as well as the call backs and rejections and instead she was told by her agent not to try out for any more shows because she was going to get Smash. I reiterate: after one audition! At my show, she sang a song from Gentlemen Prefer Blondes, which she's about to do at Encores!, and she sounded great! She also sounds great on my audio book (it just came out last week). Here's the link to the audio book.
At Seth's Broadway Chatterbox (Thursdays at 6 PM at Don't Tell Mama) I had David Garrison as a guest. He's currently starring as Dr. Lecter in Silence: The Musical (The parody of "Silence of the Lambs"). Last week I wrote that On Your Toes was the show that made Melissa Errico want to perform on Broadway. For David, it was seeing Hello Dolly! No, it wasn't the fact that he and Carol Channing had the same vocal range. Instead, what sold him was seeing the train onstage for "Put on Your Sunday Clothes." Right after college, he got cast at Arena Stage in Washington, and then the first American production of Joseph and the Amazing Technicolor Dreamcoat with the amazing David Carroll as Joseph. David Garrison, however, was Camel Number 2. Regardless, he wound up getting cast in the "Milliken Breakfast Show," which was a yearly event for retail store buyers and other textile industry professionals where the best of Broadway would put on 13 performances of a full musical to promote the Milliken product (which were mainly polyester clothes). And I mean, the best of Broadway! I was looking online and the 1978 show starred Ann Miller, Phyllis Diller, Donna McKechnie, Chita Rivera, Cyd Charisse Dorothy Loudon and more. They also had "Millikiddies" — which were a group of talented young people (Jane Krakowski) or, if need be, short people (Baayork Lee). Directed by the best (for instance, Michael Bennett), written by the best (Burt Shevelove) and using a full orchestra, they were major extravaganzas. David starred in one and was recommended to Tommy Tune to play Groucho Marx in A Day in Hollywood/A Night in the Ukraine. He told me that he's very last-minute at preparing for auditions, and the night before he finally started practicing and then went to his neighbor's apartment at 2 AM to see if she thought he was good. I asked him how he knew she would be awake and he said, "She wasn't."
photo by Robb Johnston |
His next big gig was taking over the lead in Torch Song Trilogy. He had the "fun" task of taking over the leading role the day after the show won the Tony Award for Best Play and the day after Harvey Fierstein won the Tony Award for Best Actor in a Play! David was terrified. The day he had to go on, he was in the lobby and heard a woman arguing with the box office. "What do you mean Harvey's not in the show anymore? He just won the Tony!" Then Harvey happened to enter the lobby and the woman accosted him. "I came up for Florida to see you in this show and now you're not in it!" He explained that he had to leave to go to Boston because he was writing La Cage Aux Folles. Then Harvey told her that an excellent actor would taking over named David Garrison. And…there he was, sitting in the lobby! Harvey pointed at him, the woman squinted, then said full volume, "I don't know him!"
OK, this week I see Nice Work If You Can Get It and frantically try to finish my sequel to "My Awesome/Awful Popularity Plan." Due June 1! And finish casting my upcoming benefit on June 18. So far I have Chris Jackson, Melissa Errico and Mandy Gonzales singing songs from roles they played in high school. Perhaps you'll hear my "Sorry/Grateful" from Company and therefore won't need an Ambien for the night. Get tix here. And on that note, peace out! (Seth Rudetsky has played piano in the pits of many Broadway shows including Ragtime, Grease and The Phantom of the Opera. He was the artistic producer/conductor for the first five Actors Fund concerts including Dreamgirls and Hair, which were both recorded. As a performer, he appeared on Broadway in The Ritz and on TV in "All My Children," "Law and Order C.I." and on MTV's "Made" and "Legally Blonde: The Search for the Next Elle Woods." He has written the books "The Q Guide to Broadway" and "Broadway Nights," which was recorded as an audio book on Audible.com. He is currently the afternoon Broadway host on Sirius/XM radio and tours the country doing his comedy show, "Deconstructing Broadway." He can be contacted at his website SethRudetsky.com, where he has posted many video deconstructions.)