The cast of Urinetown! will go into a midtown Manhattan recording studio on May 15. RCA will commit the score to CD, to be released July 10.
Jay David Saks is the producer, while Tom Lazarus is recording engineer.
The Off-Off-Broadway musical comedy, which opened May 6 to positive reviews in the New York Times, Newsday, the New York Post and elsewhere, has extended until June 30. It was to have ended its run on May 28. The show will stay at the American Theatre of Actors, a 120-seat space at 314 W. 54th Street, despite talk that it would have had to transfer to a larger house to afford its large cast. However, with the extension, the tickets price at the ATA will jump from $25 to $50.
Since beginning previews April 1, has collected nine Drama Desk Award nominations. The amusingly titled Greg Kotis and Mark Hollmann satirical show — the hit of 1999's New York International Fringe Festival — was cited by the Drama Desk organization for best musical, best music, best lyrics and best book. Also nominated were director John Rando, choreographer John Carrafa, orchestrator Bruce Coughlin, and actors Spencer Kayden and Jeff McCarthy.
John Cullum, who plays the political boss of Urinetown, is a two-time Tony Award-winning star of the musical theatre, winning for Shenandoah in 1975 and On the Twentieth Century in 1978. He also starred in the original production of On a Clear Day You Can See Forever in 1966, earning another Tony nomination. Most recently, he was seen in Wendy Wasserstein's Old Money at Lincoln Center Theater. Also in the cast are Nancy Opel, well known from various David Ives plays, as Ms. Pennywise; Ken Jennings, the original Toby in Sweeney Todd; and Jen Laura Thompson, the female lead in Footloose, as Caldwell's naive daughter. Urinetown! is produced by Araca Group and Dodger Theatricals.
Set in a gotham-esque city where the privilege to relieve oneself is regulated by a single corporation, Urinetown uses the basic melodramatic themes of greed, corruption and betrayal to portray a time where water is worth its weight in gold. A standard book musical in one sense, Urinetown is also a "musical" in the ironic sense, with characters constantly commenting on the theatre and the musical form, and Kotis and Hollman open flaunting theatrical convention (including concepts such as exposition and the notion of a happy ending).
Among the spunky, tongue-in-cheek songs are the title tune ("This is Urinetown!/Your ticket should say Urinetown!/No refunds, this is Urinetown!"), "Snuff that Girl," "A Privilege to Pee," "The Cop Song," "What Is Urinetown?," "Run, Freedom, Run" and "Don't Be the Bunny" (a Cullum number).