The 23 Most-Revived Musicals in Broadway History Since 1927

Lists   The 23 Most-Revived Musicals in Broadway History Since 1927
The number one most-revived show isn’t what you think it is.
Broadway’ Most-Revived Musicals
Broadway’s Most-Revived Musicals

With the fourth Broadway revival of Hello, Dolly! currently on the boards and the fourth and fifth revivals of My Fair Lady and Carousel opening later this season, we decided to take a look at which musicals have graced Broadway marquees the most.

A few caveats: If we looked at all of Broadway history, the list would be overwhelmingly dominated by the works of Gilbert and Sullivan, many of which enjoyed multiple simultaneous productions during early Broadway history when copyright law didn’t exist and “bootleg” productions were rampant. As a result, we started our list with the show that, to many, created modern musical theatre: Show Boat. Only shows that premiered on or after December 27, 1927—the date Show Boat opened on Broadway—were considered for this list.

Also important to realize is that throughout the 1950s, City Center (now home to the Encores! concert series) presented a number of brief summer revivals of popular musicals, which, while not major revivals, were considered Broadway productions nonetheless. Those productions are included in this list.


Without further ado, here are the 23 most-revived musicals in Broadway history in the last 90 years:

Musicals with three Broadway revivals, in alphabetical order:

Emma Stone and company
Emma Stone and company Photo by Joan Marcus

23. Cabaret, music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff
Premiered in 1966
Revivals in 1987, 1998, and 2014

22. Camelot, music by Frederick Loewe, book and lyrics by Alan Jay Lerner
Premiered in 1960
Revivals in 1980, 1981, and 1993

21. Finian’s Rainbow, music by Burton Lane, lyrics by E.Y. Harburg, book by Harburg and Fred Saidy
Premiered in 1947
Revivals in 1955, 1960, and 2009

20. Hair, music by Galt MacDermot, book and lyrics by James Rado and Gerome Ragni
Premiered in 1968
Revivals in 1977, 2009, and 2011

19. Jesus Christ Superstar, music by Andrew Lloyd Webber, lyrics by Tim Rice
Premiered in 1971
Revivals in 1977, 2000, and 2012

18. On the Town, music by Leonard Bernstein, book and lyrics by Betty Comden and Adolph Green
Premiered in 1944
Revivals in 1971, 1998, and 2014

17. The Most Happy Fella, by Frank Loesser
Premiered in 1956
Revivals in 1959, 1979, and 1992

Musicals with four Broadway revivals, in alphabetical order:

Bernadette Peters in Gypsy.
Bernadette Peters in Gypsy. Joan Marcus

16. Brigadoon, music by Frederick Loewe, book and lyrics by Alan Jay Lerner
Premiered in 1947
Revivals in 1950, 1957, 1963, and 1980

15. Gypsy, music by Jule Styne, lyrics by Stephen Sondheim, book by Arthur Laurents
Premiered in 1959
Revivals in 1974, 1989, 2003, and 2008

14. Hello, Dolly!, music and lyrics by Jerry Herman, book by Michael Stewart
Premiered in 1964
Revivals in 1975, 1978, 1995, and 2017

13. The King and I, music by Richard Rodgers, book and lyrics by Oscar Hammerstein II
Premiered in 1951
Revivals in 1977, 1985, 1996, and 2015

12. Man of La Mancha, music by Mitch Leigh, lyrics by Joe Darion, book by Dale Wasserman
Premiered in 1965
Revivals in 1972, 1977, 1992, and 2002

11. My Fair Lady, music by Frederick Loewe, book and lyrics by Alan Jay Lerner
Premiered in 1956
Revivals in 1976, 1981, 1993, and 2018

10. Oklahoma!, music by Richard Rodgers, book and lyrics by Oscar Hammerstein II
Premiered in 1943
Revivals in 1951, 1953, 1979, and 2002

9. Pal Joey, music by Richard Rodgers, lyrics by Lorenz Hart, book by John O’Hara
Premiered in 1940
Revivals in 1952, 1963, 1976, and 2008

8. West Side Story, music by Leonard Bernstein, lyrics by Stephen Sondheim, book by Arthur Laurents
Premiered in 1957
Revivals in 1960, 1964, 1980, and 2009

Musicals with five Broadway revivals, in alphabetical order:

Carousel_Broadway_Production_Photo_1993_Audra Ann-McDonald, Michael-Hayden & Sally-Murphy_HR.jpg
Audra McDonald, Michael-Hayden, and Sally Murphy in Carousel Joan Marcus

7. Carousel, music by Richard Rodgers, book and lyrics by Oscar Hammerstein II
Premiered in 1945
Revivals in 1949, 1954, 1957, 1994, and 2018

When Rodgers and Hammerstein’s first collaboration, Oklahoma!, opened on Broadway in 1943, it signaled a major change musical theatre storytelling, specifically by fully integrating the songs, dialogue, and choreography all towards plot and character development. The team boldly followed that success with Carousel, which in many ways took the ideas they introduced with Oklahoma! further to tell a more complex story. They also wrote an undeniably gorgeous score, with such songs as “If I Loved You,” “Soliloquy,” and “You’ll Never Walk Alone.” The show has remained a frequent appearance on Broadway. The national touring cast played a brief stint at the Majestic Theatre in 1949, which was followed by two City Center revivals in 1954 and 1957. The first major new production of Carousel to hit Broadway came in 1994, a transfer from London’s Royal National Theatre that won five Tony Awards including Best Revival of a Musical—Audra McDonald’s win for her performance as Carrie Pipperidge was her first of a now-record breaking six Tony Awards. The show’s fifth revival hasn’t happened yet, but will open April 2018 at the Imperial Theatre. Renée Fleming, Joshua Henry, Jessie Mueller, and Lindsay Mendez are set to star.

6. Fiddler on the Roof, music by Jerry Bock, lyrics by Sheldon Harnick, book by Joseph Stein
Premiered in 1964
Revivals in 1976, 1981, 1990, 2004, and 2015

Based on the stories of Sholom Aleichem, Fiddler on the Roof tells the story of a Jewish milkman and his daughters living in a tiny Russian village at the turn of the century. With songs like “If I Were a Rich Man,” “Matchmaker, Matchmaker,” and “Sunrise, Sunset,” Fiddler on the Roof is one of those shows that has become part of our cultural zeitgeist. The original production was one of Broadway’s megahits; it held the record as the longest-running show in Broadway history for nearly ten years until it was beaten by Grease. Since the premiere production’s closing in 1972, no decade has gone by without its own revival of this crowd-pleasing show. The 1976, 1981, and 1990 revivals all presented re-mountings of the original production, complete with Jerome Robbins’ original staging and choreography. The 2004 production, starring Randy Graff and Alfred Molina (later Rosie O’Donnell and Harvey Fierstein), used (mostly) Robbins’ original choreography, but featured a new physical production and direction by David Leveaux. Our most recent revival in 2015 was wholly new, with direction by Bartlett Sher, choreography by Tony nominee Hofesh Shechter, and a Tony-nominated starring performance by Danny Burstein.

Nathan Lane, Faith Prince, and cast Martha Swope/©NYPL for the Performing Arts

5. Guys and Dolls, music and lyrics by Frank Loesser, book by Abe Burrows and Jo Swerling
Premiered in 1950
Revivals in 1955, 1965, 1976, 1992, and 2009

When it comes to post-Rodgers and Hammerstein musicals written in the Rodgers and Hammerstein mold, it may not get much better than Guys and Dolls, which brings the characters and world of Damon Runyon to life on the stage. The score introduced such standards as “Luck Be a Lady,” “I’ll Know,” “If I Were a Bell” to the world, and the original production won five 1951 Tony Awards, including Best Musical. The show’s first two revivals were brief City Center runs with extraordinary casts; the 1955 production starred two-time Tony winner Helen Gallagher, while the 1965 revival featured Anita Gillette and Jerry Orbach. The 1976 revival featured an all-black cast (including Robert Guillaume and Ken Page) and re-arranged orchestrations that gave the score a then-modern disco feel. The 1992 revival, starring Peter Gallagher, Nathan Lane, Faith Prince, and Josie de Guzman, presented a version of the show decidedly closer to the original production, and it won four Tony Awards including Best Revival of a Musical. The most recent revival starred Lauren Graham and Craig Bierko, with Unbreakable Kimmy Schmidt’s Tituss Burgess appearing as Nicely-Nicely Johnson.

4. Peter Pan, music by Mark Charlap and Jule Styne, lyrics by Carolyn Leigh, Betty Comden, and Adolph Green
Premiered in 1954
Revivals in 1979, 1990, 1991, 1998, and 1999

J.M. Barrie’s classic tale of the boy who never grew up is one of the most perennial stories in the canon, with many successful stage and film adaptations. Broadway’s first true full-length musical version of the tale came in 1954, in a production that starred Mary Martin in the title role. Though the original production did not run long, it was broadcast on TV three times, bringing instant national acclaim. The show first came back to Broadway in 1979, with Sandy Duncan taking on the title role, but all subsequent Broadway revivals have starred Olympic gymnast Cathy Rigby. Rigby first played the role in a 1974 theatre-in-the-round production, but returned to the show on Broadway in 1990. After a successful holiday engagement, Rigby took the show on tour and back to Broadway for the holiday season the following year. Rigby again appeared on Broadway in Peter Pan, though this time in an all-new production directed by Glenn Casale, during the 1998 holiday season, reviving this production back for a fifth time just a few months later in April 1999.

Musicals with six Broadway revivals, in alphabetical order:

The 1994 Broadway revival cast of Show Boat
The 1994 Broadway revival cast of Show Boat David Cooper

3. Show Boat, music by Jerome Kern, book and lyrics by Oscar Hammerstein II
Premiered in 1927
Revivals in 1932, 1946, 1948, 1954, 1983, and 1994

Though Oklahoma! changed everything for the genre of musical theatre, the show built on work Oscar Hammerstein began when he wrote Show Boat. Based on the Edna Ferber novel of the same name, Show Boat combined the forms of musical comedy and operetta to create the first true dramatic piece of musical theatre. It also featured one of the great classic scores, containing such songs as “Make Believe,” “Ol’ Man River,” “Can’t Help Lovin’ Dat Man,” “You Are Love,” “Why Do I Love You?,” and “Bill.” Show Boat’s first revival came in 1936, a re-mount of the original production that starred much of the original Broadway cast. A 1946 revival offered a new production with slight revisions to better match the way musicals were produced by that time. City Center presented two brief revivals in 1948 and 1954, after which Show Boat was not seen on Broadway until 1983. The original orchestra books and scores to Show Boat had been lost for decades until they were discovered in a Queens warehouse in the early 1980s. This discovery allowed Houston Grand Opera to produce a version of Show Boat that reverted to more of the original 1927 version. After playing Houston and Washington, D.C., this production came to Broadway in 1983. A little over ten years later, Hal Prince made his own revision of the show, incorporating elements from almost every version of Show Boat—plus some material cut from the original production. Prince’s revival, which opened in 1994, remains Show Boat’s most successful revival to date; it won six 1995 Tony Awards including Best Revival of a Musical and ran for 947 performances.

Alan Cumming and Cyndi Lauper in The Threepenny Opera.
Alan Cumming and Cyndi Lauper in The Threepenny Opera. Joan Marcus

2. The Threepenny Opera, music by Kurt Weill, book and lyrics by Bertolt Brecht
Premiered in 1933
Revivals in 1954, 1955, 1966, 1976, 1989, and 2006

Adapted from John Gay’s 1728 The Beggar’s Opera, The Threepenny Opera premiered in Germany as Die Dreigroschenoper in 1928, launching the career of Weill’s wife, Lotte Lenya. The work became a success all over Europe; when Threepenny Opera premiered on Broadway, it had already been translated into 18 languages. The work first came to America as a film, which opened in 1931. An English translation of the piece opened on Broadway in 1933, but only ran for 12 performances. The show found success in 1954, when composer and lyricist Marc Blitzstein (The Cradle Will Rock) wrote his own adaptation of the show. The new version opened Off-Broadway at the Lucille Lortel theatre, with a cast that included Bea Arthur, Lotte Lenya, Jerry Orbach, Ed Asner, and Charlotte Rae. This production was so successful it moved to Broadway a few months later, where it played 96 performances and then moved back Off-Broadway. The same production returned to Broadway again in 1955, where it then remained for over six years. Blitzstein’s translations of “The Ballad of Mack the Knife” and “Pirate Jenny” led to both songs becoming standards, firmly establishing Threepenny Opera’s place in musical theatre history. Over a decade later, another new version of the show’s text was made by Ralph Manheim and John Willett for a run at the outdoor Delacorte Theatre in Central Park. This production, which starred Ellen Greene and Raúl Julia, later transferred to the Vivian Beaumont Theatre on Broadway, where it ran for 307 performances. The show returned to Broadway in 1989, this time billed as 3 Penny Opera, with another new translation by Michael Feingold. This production starred Sting, along with Georgia Brown, Maureen McGovern, and Kim Criswell. Roundabout Theatre Company produced Broadway’s most recent Threepenny in 2006. Actor and playwright Wallace Shawn (probably best known today as the voice of Rex in the Toy Story movies) provided the adaptation for this go-around, with a cast that included Alan Cumming, Nellie McKay, Cyndi Lauper, Jim Dale, and Ana Gasteyer.

And the winner, with seven Broadway revivals:

Audra McDonald and Norm Lewis in <i>The Gershwins’ Porgy and Bess</i>, 2012
Audra McDonald and Norm Lewis in The Gershwins’ Porgy and Bess, 2012 Michael J. Lutch

1. Porgy and Bess, music by George Gershwin, lyrics by Ira Gershwin and DuBose Heyward, book by Heyward
Premiered in 1935
Revivals in 1942, 1943, 1944, 1953, 1976, 1983, and 2012

Based on DuBose Heyward’s novel and stage play Porgy about a disabled black beggar who lives in the fictional South Carolina slum Catfish Row, Gershwin’s Porgy and Bess was billed as a folk opera. The writing style marked a departure for the Gershwins, who were mostly known on Broadway for their more traditional musical comedies. Despite the operatic asperations of the work, they decided to open Porgy and Bess on Broadway, where it played a brief run in 1935. Though some of the score was immediately popular—most notably “Summertime”—the work did not seem to catch on with early audiences. A drastically cut version of the work, produced by Cheryl Crawford, played New Jersey summer stock in 1942, later transferring to Broadway where it played the better part of a year. This production returned for two brief Broadway runs in 1943 and 1944. A 1952 production that restored most of the cuts Crawford had made toured Europe in 1952, playing Broadway’s Ziegfeld theatre for 305 performances in 1953. The piece then entered a dormant period, not receiving a major staging until Houston Grand Opera’s landmark 1976 production that truly established the significance of the piece for the first time. The first major production to be produced by an opera company, this version restored the complete original score, including material cut even from the first Broadway production. The piece was being definitively presented as opera, as had been Gershwin’s original vision. Houston Grand Opera’s production dramatically influenced public perception and opinion of the work, which has now become a true American classic. This production, directed by Jack O’Brien, came to Broadway in 1976, where it ran for 122 performances and won the 1977 Tony Award for Most Innovative Production of a Revival. A new production again directed by Jack O’Brien but also featuring new choreography by George Faison played Radio City Music Hall for 45 performances in 1983, a production that was deemed Tony eligible and received two 1983 Tony Award nominations. A 2011 production with a new book adaptation by Suzan-Lori Parks famously tried to make a version of Porgy and Bess that could be fully at home on the musical theatre stage. Spoken dialogue replaced the work’s original recitatives, and new orchestrations were made by William David Brohn and Christopher Jahnke to replace Gershwin’s originals. The production’s all-star cast included Audra McDonald as Bess, Norm Lewis as Porgy, and David Alan Grier as Sporting Life. The production won Best Revival of a Musical at the 2012 Tony Awards, and Audra McDonald won Best Performance by an Actress in a Leading Role in a Musical.

Logan Culwell-Block is a musical theatre historian, Playbill's manager of research, and curator of Playbill Vault. @loganculwell


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