Skylight Opera Theatre in Milwaukee will recreate 19th-century Siam when it opens The King and I Nov. 27 (to Dec. 20) at the Cabot Theatre at the Broadway Theatre Center.

Skylight artistic director Richard Carsey makes his directing debut with the Rodgers and Hammerstein classic about a culture clash between a feisty English teacher and a stubborn monarch in 1862 Siam. Carsey's primary role with the Equity-affiliated Skylight has been as music director, although as artistic director he oversees all aspects of programming at the 40-season-old Skylight.

Carsey told Playbill On-Line that sales for the musical have exceeded expectations even for the usually busy holiday-season slot.

Skylight marketing director Bert Monda told Playbill On-Line sales are at 80 percent of capacity even before the opening, "which is very good for us."

She added, "I think people are thinking of it as an alternative to A Christmas Carol and The Nutcracker." The allure of such classic tunes as "Hello, Young Lovers," "Getting to Know You," "We Kiss in a Shadow" and "Shall We Dance?" doesn't hurt, said Carsey.

The King and I company includes Chicago actor Ray Frewen as the King, Kate Egan as Anna, Rebecca Ocampo (Tuptim), Ron Lee (Lun Tha), Sheri Williams Pannell (Lady Thiang), Chris Flieller (Kralahome), Asher Perzigian (Louis), William Clifford (Ramsey/Capt. Orton), Sirr Brown Grice (Prince).

Pam Kriger choreographs, Pasquale Laurino music directs, Janet Swenson is costume designer, J. Michael Deegan designs sets and lighting.

The Cabot Theatre at the Broadway Theatre Center is at 158 N. Broadway in Milwaukee. Tickets are $5-$48.

Call (414) 291-7800 for information.

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In other Skylight season news:

Meryl Streep isn't the only star warming the coming winter in a Brian Friel role.

While Streep opened Nov. 13 in the film of Friel's Dancing at Lughnasa, likely to run into the New Year, Marni Nixon will christen the world premiere of a Friel-based opera in Milwaukee in January 1999.

Nixon, the movie-musical vocalist who provided the singing voice for Audrey Hepburn (My Fair Lady), Deborah Kerr (The King and I) and Natalie Wood (West Side Story ), will step downstage for the Skylight Opera Theatre's commissioned work, Ballymore, a two-act opera by composer-librettist Richard Wargo. It will play Jan. 29-Feb. 14, 1999 in the Skylight's 360-seat tiered, Baroque-style theatre, the Cabot.

Based on Friel's "play in two parts" (its original billing) known as Lovers, Ballymore is the centerpiece of Skylight's current 40th anniversary season. Ballymore is the opera and the play's setting, a fictionalized version of Friel's hometown of Omagh, in County Tyrone, Northern Ireland.

This is the first new-work commission in the history of the Skylight, which produces opera, operetta and new and classic 20th century musicals under an Equity contract. The current season (supported by some 3,200 subscribers) opened Sept. 25 with The Pirates of Penzance. Ballymore marks the first time Friel has allowed his work to be adapted for the operatic stage, according to Skylight.

* The "through-sung, character-driven" piece by Wargo has the flavor of both opera and popular musical theatre, Skylight artistic director Richard Carsey told Playbill On-Line (Sept. 21): "The language of the music is very tonal --- there's melody to the writing."

Friel, who OK'd the Wargo adaptation, is author of such Irish plays as Philadephia, Here I Come!, Dancing at Lughnasa and Molly Sweeney. Lovers originated at the Dublin Gate Theatre and had its New York premiere (starring Art Carney) at the Vivian Beaumont Theatre in 1968-69 season, moving to the Music Box.

"Since he met Richard Wargo and heard his music, (Friel) has been very free that Ballymore is now an opera and it's going to be a separate piece," Carsey said. "The first act sticks very closely to Friel's play, most of it being a word for word adaptation."

Carsey said that Friel questioned, impishly, if sticking so close to the source was a virtue. That, said Carsey, encouraged Wargo up to adapt more freely in Act Two.

The second act, Nixon's section of the show, is called Losers (following Act One, Winners) and opens with a section called "Hannah's Rhumba," a melodic story-song that establishes a spinster's (Leslie Fitzwater) competing urges to both cater to her bedridden, manipulative mother (Nixon) and welcome a suitor (David Barron). On Broadway, Art Carney played the suitor.

"(Nixon's) voice is perfectly suited for the role," Carsey said. "She has a combination of sweetness and earthiness that seem very right for who this person is."

Dorothy Danner will direct, Carsey will music-direct, and the cast also includes Alicia Berneche, Jeffrey Picon, Neil Michaels, Hillary Nicholson and Jennifer Clark. Designers will be Carol Bailey (set), Dawna Gregory (costumes) and Andrew Sullivan (lighting).

Wargo is an Eastman School of Music graduate whose A Chekhov Trilogy, three one-act operas based on the Russian master's short stories, was presented last season at Skylight, introducing Wargo to Milwaukee. Workshops of Ballymore were sponsored by Skylight, Opera Company of Phila Äand Curtis Institute of Music.

Nixon, a California native who worked in the early days of the Pasadena Playhouse, is a New Yorker whose career as a "crossover" singer-actress includes the worlds of TV, opera, concerts, movies, cabaret and recordings.

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The Skylight Opera Theatre's season includes:

Sept. 25-Oct. 11 The Pirates of Penzance
Nov. 27-Dec. 20 The King and I
Jan. 29-Feb. 14, 1999 Ballymore
March 19-April 4, 1999 Don Pasquale
May 14-30, 1999 The World Goes 'Round

Skylight's Cabot Theatre is located in the Broadway Theatre Center, 158 N. Broadway in downtown Milwaukee, a 1992 building that also houses a cabaret bar and a 100-seat black box used by Milwaukee Chamber Theatre and Theatre X. The Chamber Theatre also uses the Skylight's proscenium space.

-- By Kenneth Jones