WHEN HARRY MET BROADWAY
Harry Connick Jr., the sexy singer-songwriter from New Orleans, is all jazzed about making his Broadway acting debut. He’ll star as Sid, “quite a hunk of guy,” in the Roundabout revival of Richard Adler-Jerry Ross’ The Pajama Game. Currently in rehearsals, the Grammy winner is “Racing With the Clock”; it begins previews on Jan. 19 and opens Feb. 23. As the superintendent of the Sleep-Tite Pajama Factory, he meets a beautiful Babe (played by Kelli O’Hara), but “Hey, There’s” a problem: She heads the union’s grievance committee and it’s holding out for a pay raise. Somehow, Sid and Babe will have to work together and settle their striking differences.

“Working with Harry’s a blast,” raves O’Hara, his leading lady. “He’s like a big, oversized kid. He’ll dance around and do impressions of Sylvester Stallone. And when he sings, you could listen to him all day. This score is perfect for him. He’s such a crooner. They’ve even put in some piano playing for him in ‘Hernando’s Hideaway.’”

Of course, Connick has scored on Broadway before — but as a composer, earning a Tony nomination for Thou Shalt Not. Best known for his cool contributions to movies like “When Harry Met Sally,” the one-time cabaret crooner has sold over 20 million albums. He also plays Leo in NBC’s “Will & Grace,” and he’ll co-star with Ashley Judd in William Friedkin’s upcoming screen adaptation of Bug.

When Katrina hammered his hometown of jazz and left nothing but blues in its wake last year, the 6-foot-2 star spearheaded “A Concert for Hurricane Relief” on NBC, MSNBC and CNBC. “New Orleans is my essence, my soul, my muse, and I can only dream that one day she will recapture her glory.” Otherwise, he says, “I’m at a really wonderful place in life. I’m married to my best friend and hero [Jill Goodacre], and my three daughters have given me a joy I’ve never had before.”

Question: What made you want to do The Pajama Game?
Harry Connick Jr.: When I was in high school, I did [some] musicals and sorta fell in love with the process. It was pretty miraculous. But I didn’t have much involvement with theatre until Thou Shalt Not, and that was purely as a composer. Then this came through with Kathleen Marshall, who’s directing and choreographing it. Cast members started coming in, and the music’s just so beautiful, and it’s a great story. I once did the Tonys and everyone came out and sang ‘Oklahoma!,’ and John Raitt was just two feet away from me. At the time, I hadn’t even seen [the movie of] The Pajama Game, and he was such a nice man. I think about him a lot because he really put a stamp on the role. He’s one of the rare artists who performed it on Broadway and then did it on film. I wish he could’ve [lived to] see this.

Q: You’ve sung and acted a lot, but how’s the dancing going?
Connick: There’s a lot more dancing than I expected. It’s so freaky. Broadway performers are the most talented of all. The dancers are incredible singers. And all the singers dance. And they all act. For our first dance, they put Kelli and all of us into a big circle. I thought: “It’s gonna be alright. I’ll throw in some New Orleans [moves].” But it was a polka, and I’m thinking: “Don’t throw no polka at me.” I’m just a guy. I started hearing dance terms like “turned out,” and I had no idea what they were talking about. They better give me the white-trash version. Man, I bit off more than I can chew. But all the dancers have been so helpful and warm, and it’s really a lotta fun.

Q: How do you feel about Broadway music?
Connick: About 90% of the songs I played growing up were from Broadway. Miles Davis, John Coltrane and Thelonius Monk — a lot of the stuff they played came from shows. Show tunes aren’t so far off from jazz tunes.

Q: What was it like seeing New Orleans after Katrina hit?
Connick: I was devastated and shocked. A big handsome man named Darrell Jones took me into the Convention Center. There were thousands of people, and they were black and white; it’s not the crap you heard on TV. I saw an old woman who had died in her wheelchair and was covered with a sheet. I saw babies with their eyes popping out of their heads. People with no water, food or medication. This is the greatest country in the world. This is the most unique city in America. What’s going on? I thought about starting a committee to rebuild New Orleans, but my dad told me: “You’re not that smart. Your sister is the one with the brains. You have no idea what you’re getting into.” So I’m gonna focus on the musicians. A lot of them left town, so we hope to bring them back. We’ll build villages that offer housing and start a school named after Ellis Marsalis that will [promote] traditional New Orleans jazz.

Q: What’s it been like playing Leo on “Will & Grace”?
Connick: Doing “Will & Grace” is like acting on steroids. It happens very fast. It’s been great. I signed to do four episodes and wound up doing 18 of them. Until I get the script, I never know what Leo is doing, like cheating on Grace. But some folks take it seriously. They’re at home in their underwear believing this and they come to my concert and say, “Hey, that sucked what you did to Grace!” I’ve got two more shows left, so I’m hoping they get us back together or at least hook me up with Jack.

Q: Doing TV and theatre are so different. Are you worried about what it takes to do The Pajama Game eight times a week?
Connick: Maybe in three weeks I’ll be pulling my hair out, but so far I’d say this is the most fun I’ve ever had in my life. I get to sing, I get to dance, and I get to act with all this immense talent. I’m anticipating a really good run.

For info, visit www.hconnickjr.com and www.roundabouttheatre.org.

HIS BROADWAY BOW DESERVES A ‘PURPLE’ HEART
After The Color Purple opened Dec. 1 at the Broadway Theatre, its star-studded audience painted the town red and shouted its approval until it was blue in the face. Brandon Victor Dixon, who charmingly plays Harpo, recalls the hue and cry: “Sidney Poitier, Denzel Washington and Robert De Niro were all in the audience, and during Act II, I started screaming backstage. I also saw Spike Lee and Tina Turner. And at the curtain call, I got to bring [producer] Oprah Winfrey and [author] Alice Walker onstage. Omigod! I’m so full of joy that I get to share this piece and do what I love for a living. I’m blessed to be in such an incredible cast, and I thank the Lord.”

Based on Walker’s Pulitzer Prize-winning novel and Steven Spielberg’s multi-Oscar-nominated movie, The Color Purple is the inspiring story of Celie (played by LaChanze), a poor black woman who triumphs over tragedy and an abusive husband (Kingsley Leggs). Along the way, she befriends Sofia (Felicia P. Fields), a dynamic and defiant woman who won’t be beaten by life or anything else, and Harpo, her sensitive, good-hearted hubby. Dixon, a sunny 6-foot actor from Gaithersburg, MD, says, “As Alice Walker put it, ‘Harpo is the new man. Just run with that.’ And Felicia and I have such a rapport. She’s truly a gift from God. She’s so warm and open. When we do our number, ‘Any Little Thing,’ we’ll play little tricks. She’ll get a little undressed or she’ll undress me. In Atlanta, we went too far once or twice.” Fields adds, “I had four Harpos before Brandon, and he’s my baby. We’ve got chemistry and we click offstage and on. And any man who can lift me like [Brandon] is alright with me!”

As for Winfrey, Dixon raves, “Oprah’s such a wonderful spirit; she’s been given a lot of gifts in her life and she gives them back. The energy in our show is so high, and the voices and songs [by Brenda Russell, Alice Willis and Stephen Bray] catch people.” But what really excites him is being on his first original cast album, and Angel Records will release it on Jan. 24: “I spent summers in my room, listening to cast albums, like Les Misérables, every night. I knew it backwards and forwards. I want to be the first black Jean Valjean. I got to meet Colm Wilkinson once, and I was ecstatic.”

The Jamaican actor, 24, got his big break right out of Columbia University when he was cast as Simba in the national company of The Lion King. Asked if he had a role model, Dixon says, “My hero is Michael Jackson. Was and continues to be. He’s amazing. When I was growing up, it was the time of ‘Thriller’ and ‘Bad.’ I’d come home from school and put on the vinyls. I’d put on a white V-neck T-shirt and roll back the carpet and dance for hours. I’d moonwalk and do the spins. To this day, I can do a mean Michael Jackson. He’s the consummate performer. He knew his craft and did it better than anyone else. That’s greatness. Whatever I do, I wanna be great.”

For info, visit www.brandonvictordixon.com and www.colorpurple.com. Continued...