|Photo by Joseph Marzullo/WENN|
George Hearn has certainly played his share of widely diverse characters on Broadway — from his Tony-winning turn as a St. Tropez drag star (La Cage aux Folles) to Tony-nominated work as a Nazi-fighter in wartime Washington (Watch on the Rhine) and a sinister chauffeur/butler/first husband of a deranged silent-screen queen (Sunset Boulevard) — but never before has he run such a gamut in one show.
In Scandalous: The Life and Trials of Aimee Semple McPherson, which opens Nov. 15 at the Neil Simon, he spends Act One building up Aimee Semple McPherson, the famed and fabled evangelist of the '20s and '30s, and Act Two tearing her down. And he has no problem making a credible case of both.
He got to this cross-purpose dual-role from Putting It Together, a 1999 revue of Sondheim tunes strung end-to-end in which he did another of his Tony-nominated jobs. During the show's 101 performances, he became pals with the Broadway newbie who replaced Carol Burnett as his matinee wife — Kathie Lee Gifford — and she kept him in mind for this McPherson musical she was working on even then.
"We meet Aimee as a young girl in the first act, and I play her father," he relates. "He's sympathetic, encouraging to her, knows that she's a wild and original creature even when she's young. She says to him, 'I want to go and hear this Pentecostal preacher.' He says, 'I thought you hated religion.' She says, 'I do, but I love theatre.'
"That's sort of a key, isn't it, to Aimee? It's not the only key because it's a complex characterization Kathie has written. She really examined the woman in great detail."
His papa character, James Kennedy, is too good a straight man, and a man, to live long — and, sure enough, "I die early on. Usually, that's all — once the part's over, right? Every time I get a part in a movie, I die early on. Here, it gives me a chance to come on as someone else."
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