Anthony Page studied at the Neighborhood Playhouse under Sanford Meisner. As artistic director at the Royal Court Theatre, London, for various periods between 1964 and 1973, Mr. Page directed the premieres of five John Osborne plays: Inadmissible Evidence, A Patriot for Me, Hotel in Amsterdam, Time Present and West of Suez. He directed Cat on a Hot Tin Roof and Albee’s The Goat, or Who Is Sylvia? in the West End and Albee’s Marriage Play and Finding the Sun for the Royal National Theatre; Albee’s Three Tall Women, A Delicate Balance and The Lady From Dubuque with Dame Maggie Smith; and A Doll’s House with Janet McTeer, which transferred to Broadway (Tony Award, Best Director). For the Royal Court, he directed the first revival of Waiting for Godot by Samuel Beckett, as well as Beckett’s Not I. At the Royal National, Mr. Page directed Absolute Hell by Ackland, Ostrovsky’s The Forest and Sleep With Me by Kureishi. Mr. Page also directed the New York productions of Inadmissible Evidence on Broadway, The Caretaker at the Roundabout, Heartbreak House at Circle in the Square, Cat on a Hot Tin Roof and Who’s Afraid of Virginia Woolf? He directed Rosmersholm for the Almeida in London. His films include Inadmissible Evidence, Alpha Beta and I Never Promised You a Rose Garden. He has also directed many movies for television, including “Bill,” “Pack of Lies,” “The Patricia Neal Story,” “Second Serve,” the 1994 the miniseries adaptation of “Middlemarch” and David Hare’s “My Zinc Bed” for HBO.