By Sheryl Flatow
26 Oct 2008
|Photo by Joan Marcus|
Chazz Palminteri was at a crossroads. A New York actor, born and raised in the Bronx, he had moved to Los Angeles in 1986 to try and make it in Hollywood. He found occasional work in television, on hit shows including "Hill Street Blues," "Dallas" and "Matlock," but a film career was eluding him. He ran out of money, so he took a job as a doorman at a nightclub. "One night I didn’t let in a gentleman who was very arrogant to me," he says. "He said, 'Do you know who I am?' I said, 'Yes, you're the man who's not getting in tonight.' He said that I was going to be fired, and I laughed." Palminteri had no idea that the man was the famous and powerful agent Swifty Lazar. "And he did get me fired."
Despondent, Palminteri returned home and tried to figure out what he would do. "I sat on the edge of my bed, and I saw this card that my father had given to me," he recalls. "It said, 'The saddest thing in life is wasted talent.' So I said, 'If they won't give me a great part, then I'll write one for myself.' I went out and bought five tabs of yellow paper at Thrifty drugstore, came home and thought, 'What am I going to write?' And then I remembered this killing that I saw when I was nine years old. I was sitting on the stoop, and this man killed another man right in front of me. The cops wanted me to identify the man who pulled the trigger, and I refused. I told my father, and I said, 'Dad, I did a good thing, right?' And he said, 'Well, you did a good thing for a bad man, son.'
"The wise guy saw me all the time after the shooting, and we befriended each other," Palminteri continues. "He knew that I knew what happened. He really liked me, and he was almost like another father. But my father was always afraid that I was going to fall prey to that kind of life. He said, 'Don't admire those guys. You have to admire the working man. I'm the tough guy; I work for a living.' I thought about this after I got fired, and realized it was an interesting dynamic to write about. So I put the boy in the middle — with the wise guy, Sonny, on one side, and my father on the other — and began to write."
"It took almost a year to write," says Palminteri. "I was playing all 18 characters, so I rehearsed for a long time." A Bronx Tale opened in 1989 at a 72-seat theatre in Los Angeles — it would subsequently play Off-Broadway as well — and became a huge hit. Then Hollywood came calling. "They were offering $250,000 for the play, but they didn’t want me. They wanted a star. I said no, and the offer went up to $500,000 and then a million dollars. But they still didn't want me. At that time I had $187 in the bank. But I just said no. I knew that this was my shot. You get that shot once in a lifetime, and you don't give it up."
And then Robert De Niro made him an offer he couldn't refuse. "He saw the play and said, 'I think you would be great as Sonny,'" says Palminteri. "'You should write the screenplay, and I'll direct it.' He shook my hand and that was it. Looking back at it now, I don't know how I held out. But I always believed that I was gonna make it. I was very fortunate to have Robert De Niro believe in me, too." Palminteri has worked steadily ever since, appearing in more than 50 films, including Woody Allen's "Bullets Over Broadway," for which he received an Academy Award nomination. Continued...