David Alvarez, Trent Kowalik, and Kiril Kulish‚ Billy Elliot, The Musical: Kiril: "We were on TV, at CBS, on the set where we were dancing. The CBS Early Show. I'm in shock." Trent: "This is a bit of a shock to me. It's a bit overwhelming, a little bit." David: "This is my Broadway debut, so I've never been nominated for anything." Kiril: "This is my first Broadway show, so it's my first." Trent: "For me, it's the same, also." David: "All my friends from Billy Elliott have been texting me."

Phyllida Lloyd, Mary Stuart: "My assistant sent me a text. I was completely stunned and thrilled that all our entire production team have been nominated. To get your design team nominated for a play when we thought we were rather minimalist in our presentation is rather nice. To just be nominated for a Tony is a huge thing in the theatre. I think you actually have to win an Olivier Award to really [be able to] boast about it."

Tom Kitt, Next to Normal: "I actually was watching it live on NY1 with my wife Rita and my mother Judy. My mom doesn't have NY 1. She lives in Westchester, so I invited her to watch it if she wanted to. I'm beyond thrilled for everybody and for the show. I'm hoping to get some friends who were nominated for other shows to get together tonight for a celebratory beverage of some sort."

	Gregory Jbara
	photo by Aubrey Reuben

Gregory Jbara, Billy Elliot: "I was in the Coffee Shop in Union Square, the place where I actually watched Obama get sworn in. I don't have NY1 on my cable in my apartment. My cousin was in town. I met her and her friend, and we went down there and started breakfast at 8 AM. And, we basically took over the place, turned the TVs all up and had the whole place cheering. It was fantastic. It was very spontaneous."

Jessica Hynes, The Norman Conquests: "I was walking around the kitchen, and I had a number on my phone that I didn't recognize. It was the number of the offices at the theatre. I called and said, 'This is Jessica Hynes.' He said, 'Oh, congratulations!' and I said, 'What for?' He hang on, 'I'll put you through.' He put me on to [press agent] Jim Byk. I was just padding around the kitchen recovering. We had a cast get-together last night. I made food, and we all had beers. I was recovering from that, with my children running around. I kind of had a vague idea the nominations were today, but not really. And then we got seven! They should change the name to The Nominations Conquests."

	J. Robert Spencer
	photo by Aubrey Reuben

J. Robert Spencer, Next to Normal: "We knew it was going on. I got up. Our two kids were still asleep. My wife and I were just chomping at the bit. It was like, 'Oh my God. Tick-tock, tick-tock.' We were pretty anxious and pretty excited, and just praying and hoping that it would work. How could it not, the show being as tremendous as it is, and such an impact that the show has, and all the reviews we got? How could it not be a beautiful morning? And it turned out to be a phenomenal morning! It has a completely different feeling from Jersey Boys. Jersey Boys will always be a huge phenomenon. But I feel with this show it makes such a stronger impact on the emotional soul. And to be able to convey that eight times a week and not be the 'Ringo' is incredibly exhilarating and fulfilling. The thing about playing Nick Massi [in Jersey Boys] was great, because even though I didn't say much there was still a lot going on internally. But it's always nice to show audiences what you've been wanting to show them for years. I can't tell you how many people have seen me in Jersey Boys who have seen me in Next to Normal and said, 'Oh my God, I had no idea you could sing, that you could act.' That's so rewarding for me."

Roger Robinson, Joe Turner's Come and Gone: "I was in bed. My agents called me and he said congratulations, and I said, 'About what?' Well, I was asleep. You know how you come out of a sleep and the phone rings. My phone announces who's calling. It's always a surprise. You never know until it happens. You know, we didn't get nominated for any Drama Desk Awards and we got limited Outer Critics Circle nominations. So you never know how these organizations are going to nominate. The Tonys always seem to be about craft, theatre craft. I respect them."

	Will Swenson
	photo by Aubrey Reuben

Will Swenson, Hair: "I was taking my five-year-old to pre-school, and we were just walking out the door with her scooter, and my sister called. I found out that way. It feels unbelievable. I don't think it's really hit me yet. I'm sure it will later, and I will freak out and spend the afternoon in the bathroom."

Stockard Channing, Pal Joey: "I'm on a train going to Paris, where I will be in about ten minutes. So I may get cut off, because we're going into a tunnel. I'm literally in the suburbs of Paris. I've been on vacation. I'm going to Paris for a few days, then I go back to London then back to the States. Someone called me on the train, and then my British cell phone promptly died on me."

Zach Grenier, 33 Variations: "I woke up to a distant cell phone ringing in my study downstairs. I was still half asleep and thinking it must be a reminder to pay my car insurance. I walked down to turn on the coffee and picked up the message from my wonderful, hard-working agent, congratulating me. I was very surprised. We got the notice that we're going to be closing and that's what I went to bed with, and in the morning I woke up and it was this. Then I looked at the category and I'm with this extraordinary group of nominees. I guess it's not a mistake, right?"

Amanda Root, The Norman Conquests: "I just got up and looked at my e-mail. There was a long e-mail from the publicity guy. I'm quite shocked, to be honest. I think it's absolutely fabulous news for the whole company. I never expected to be nominated personally. That came as a big shock, and a huge honor."

Diane Paulus, Hair: "I have two little daughters, so I was up at 7 AM with them, and we put on NY1, and they had this special treat of eating their oatmeal in front of the television this morning, which never happens. Once the proceedings started, they were hooting and hollering every time Hair was mentioned. It was fun to have a little cheerleading team with me. I was born and raised in Manhattan, and I grew up seeing shows on Broadway as a kid. It was always a dream back then, 'Maybe one day I can be part of this.' I have to say, to be making my Broadway debut with Hair and to be getting this kind of acknowledgement is really a kind of a dream come true for me. The texting has begun. You get those instant messages with 'Yeah' and a million exclamation points after them."

	Hallie Foote
	photo by Aubrey Reuben

Hallie Foote, Dividing the Estate: "I'm staying at a friend's house and I had on NY1. I was watching with my friend Michael Wilson, and we're getting ready to do another play of my dad's [Horton Foote]. He's going to direct it. He said, 'Let's watch.' We were hoping this play would get a nomination, and I was really, really happy about that. And I'm a little shocked that I got one, but I'm very gratified as well. It's a little bittersweet. I wish my dad was here to enjoy all this. He's there somewhere, I'm sure, happy about this."

Michael Greif, Next to Normal: "I am in Minneapolis. I'm working on Tony Kushner's new play here. I was on-line, looking at the New York Times arts blog, and while I was doing that, people were calling me, so they sort of beat me to it… The recognition always feels great, especially with a musical like this, this kind of praise. I think it's really going to help people make the decision to see the show in the next couple of weeks. That's the first, big exciting benefit of the awards."

Geoffrey Rush, Exit the King: "I was lying in my bed, because I'm trying to lead the life of a Broadway baby. I eat after the show, I go to bed late, and I get up late. I set my alarm. An important part of this whole experience, bring a show from Australia from the world of nonprofit theatre into the crazy commercial world, is to witness this day and see how our various neighbors were doing. You run into people all the time. My driver happens to drive Jeff Daniels, so I'm always keeping up with the God of Carnage news. It works out well, because Jeff's play is quite short and the drive can take him home and get back and pick me up." Continued...