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Check a listing of shows on the road at any given moment, and the results are always the same: a cornucopia of musicals and a smattering of straight plays. In an industry in which most every venture is inherently risky, and the demand for musicals far exceeds that for straight plays, sending a sprawling, three-hours-plus play on the road is a particular act of faith.

But the producers and presenters of August: Osage County are confident that theatregoers around the country are as eager to see Tracy Letts' Pulitzer Prize–winning play as audiences were in New York. "The Broadway community of road presenters was very encouraging about touring the show," says Steve Traxler, producer of the play along with Jeffrey Richards, Jean Doumanian and Jerry Frankel. "The interesting thing about August: Osage County for audience members is that even though the play is over three hours long, the evening really flies by. We hear from audiences all the time that they could have sat in the theatre for another two hours."

August: Osage County, directed by Anna D. Shapiro and starring the redoubtable Estelle Parsons, is a harrowing and hilarious, sharply observed family drama, a tragicomedy about an Oklahoma clan so embittered and embattled that dysfunctional would be a step up. Charles Isherwood, writing in The New York Times, called the play "theatre that continually keeps you hooked with shocks, surprises and delights, although it has a moving, heart-sore core."

August: Osage County is a big American drama, in the tradition of Eugene O'Neill — but a lot funnier than Long Day's Journey Into Night, to which it has been frequently compared. It's the kind of play rarely written anymore. It premiered in 2007 at Chicago's Steppenwolf Theatre Company, where Letts, who first appeared with the company in 1988, has been a member, as an actor and playwright, since 2002. From the outset, he knew the play would be a large, expansive piece. "I was going to tell a story about my family, largely fictional," he says, "and as I was figuring out my story, I realized that it should take place over three acts. As an actor, I've done a lot of pieces that are short and sweet, but sometimes I really like the feeling of settling into a long, good story. I wanted this to be a more luxurious theatre experience."

	August: Osage County star Estelle Parsons
	photo by Joan Marcus

Despite the show's success in Chicago, it was a gamble to transfer August: Osage County to Broadway. Not only was the 13-character play cast with Steppenwolf actors unfamiliar to New York audiences, but in this era of short attention spans, it was questionable whether a new play of "luxurious" length could find a home in the commercial theatre.

"We opened in the days of the stagehand strike," says Traxler, "and we didn't know if we'd run for more than a few weeks. But we believed in the show very much, and it became the little show that could. We discovered that one of the things the show has going for it is that people recognize those characters onstage. During intermission or at the end of the show, people are always in the lobby talking about how they have a friend or relative who reminds them of one of the characters. I think that recognition factor is one component in the show's success. But the main thing is that Tracy Letts is a great storyteller." In addition to the 2008 Pulitzer Prize for Drama, the play received five 2008 Tony Awards, including Best Play. Continued...