By Harry Haun
04 Aug 2009

Tapes do most of the work, but music coordinator John Miller lined up four real live musicians — "two drummers, a saxophonist and a guy who plays violin and guitar. There's a CD, but they take our instruments down so we do the live sound."

First-nighters took a jaunty, if sweaty, hike up to 57th Street for the afterparty at Providence (nee Le Bar Bat). Once there, investors and customers alike were made to cool their heels behind the velvet rope. There was much grousing about the humidity. Not that things improved much inside, save that the sound system had been knocked down to a sensible decibel from what it was at the Xanadu opening. But it was a large crowd in a small space, and not enough A.C. to go around. The cast must have felt as if they were somewhere in the hellish throes of Act II.

Maksim Chmerkovskiy and Karina Smirnoff, who strutted their star stuff and crowd-pleasing charisma in relatively modest portions throughout the show, took the lion's share of the press attention — and took it enthusiastically, now that they are officially Broadway stars. "That's probably the biggest and the best title we have," trilled Chmerkovskiy, post-scripting wickedly, "to date." He said he "couldn't be happier or prouder of our accomplishment. It's the most fun, the most rewarding, job I've ever had, and to do this with Karina — I couldn't ask for more."

"Oh, we loved it," Smirnoff chimed in as if on cue. "It's such an amazing show and so full of energy. Every single night we get to enjoy it more and more and more."

Alas, they will only be in the show for the first two of its 12-week engagement. Chmerkovskiy stepped in chivalrously to explain why: "We can only stay until the next season of 'Dancing With the Stars' because of our commitment to that show."

The tallest member of the company is six-foot-three Damon Sugden, who, with wife Rebecca, brings elegant Old World waltzing to the table. "It's a beautiful moment we get to share together. It just happens to be in front of a thousand people every night."

"It was created especially for us by Jason a long time ago," she injected, "and we've only now been able to present it on Broadway. It's a very special thing for us."

"Jason does so well at tailor-making the choreography for each individual," added Sugden, yet another Aussie. "He knows their assets and their strength and then really highlights those with the choreography."

Tommy Tune, Ugly Betty's Vanessa Williams and Christina Applegate were promised but not delivered for the opening, underscoring the scarcity of celebs. Hey, you might well say, it's the summer.

There was a certain aptness that what stars there were came from TV: Susan Lucci, Ricky Paull Goldin and Chrishell Strause, all of "All My Children"; David and Melissa Fumero of "One Life to Live"; Graham Bunn of "The Bachelorette" and Gretta Monahan of "The Rachael Ray Show."

Holding up the Broadway front: Saundra Santiago and Alexandre Proia from Chronicle of a Death Foretold. Tony Roberts is getting ready to make a large Broadway leap, from Xanadu to The Royal Family. Two MMs present and accounted for: Marilyn Maye, still in town making the Broadway rounds after sold-out gigs at The Metropolitan Room and Birdland, and Margo Martindale, a Tony-nominated Big Mama.

Fresh from a one-night run at Feinstein's, Jack Noseworthy said he has a movie coming out Sept. 21, "The Surrogate," with Bruce Willis. "I play a bad guy," he announced with a measure of pride, "and about midway through the movie I get killed by Ving Rhames." Which is really getting killed. Noseworthy added a positively gleeful PS to all of this: "I get burned to death."

Female director-choreographers were out in full force — meaning Kathleen Marshall and, any day now, Rock of Ages Tony nominee Kelly Devine.

"I'm going to direct and choreograph a new musical at the NYMF festival," trumpeted the latter hyphenate. "It's called The Happy Embalmer, and it'll be at the Acorn Theatre. After that, I'm going to do A Christmas Story, a musical based on the movie, at Kansas City Rep, with Eric Rosen directing."

Andy Blankenbuehler, who choreographed New York's previous last musical (the summer run of The Wiz), is busily cranking up a road company of In the Heights and applying his Tony-winning choreography to it.

Recovering from the Broadway stumble of Guys and Dolls, choreographer Sergio Trujillo drew loud raves for a Stratford version of West Story Story, which some say was superior to the current Broadway edition. Next? "I'm getting ready to start Memphis, which opens this fall, and I just finished doing a workshop of The Addams Family, which opens this spring."

Although it was lacking true star power, the first-night crowd seemed to have more choreographers than you could shake a baton at. If a bomb had fallen on the Longacre, what a boon for Angela Lansbury! She "choreographed" her own trance-dance in Blithe Spirit — and, she said disparagingly, "did it nightly."