With Fresh Makeup, The Dreams Hit the Road

By Sheryl Flatow
30 Jan 2010

Dreamgirls' Adrienne Warren, Syesha Mercado and Moya Angela.
Dreamgirls' Adrienne Warren, Syesha Mercado and Moya Angela.
Photo by Joan Marcus

Direct from the Apollo, Dreamgirls — revised for this revival — takes off on a national tour.

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In the opening scene of Dreamgirls, the Dreamettes, a girl group from Chicago, take part in Amateur Night at Harlem's legendary Apollo Theater, hoping for their big break. For the cast and artistic team of the revival of Dreamgirls, fantasy and reality converged in profound ways when the national tour was launched on that very stage.

"It was really special," says director Robert Longbottom. "So many people, including The Supremes and other famous girl groups, got their start at the Apollo. The theatre hasn't really been renovated, so you can feel all the people from all those decades. It's a beautiful old vaudeville palace, and it was thrilling for all of us to step on that stage and realize what that house had seen and what we were expected to deliver."

Expectations for Dreamgirls were high and went well beyond the walls of the Apollo. The 2006 movie was a huge success, and Michael Bennett's staging of the original 1981 Broadway production was heralded by many as groundbreaking. Frank Rich wrote in The New York Times that Bennett had "fashioned a show that strikes with the speed and heat of lightning," adding that he "keeps Dreamgirls in constant motion — in every conceivable direction — to perfect his special brand of cinematic stage effects (montage, dissolve, wipe)."



"Stepping into Michael Bennett's shoes is not easy," says Longbottom, who co-choreographed the show with Shane Sparks. Nevertheless, the consensus among New York critics was that Longbottom delivered. "Michael Bennett's DNA is all over Dreamgirls," he continues. "In this production, some of the concepts and the thrilling moments are his moments. I would be crazy to run away from many of his brilliant, iconic ideas. But unlike A Chorus Line, which I don't believe anyone could reinvent, we could take the spirit of the original and make it state-of-the-art and up-to-the-minute. The idea of fame and everyone wanting their 15 minutes and clawing one's way up the ladder is even more prevalent now than it was in 1981, with 'American Idol' and all those other reality shows and competitions."  Continued...