By Steven Suskin
NEW RECORDINGS OF OLD SHOWS
Anything Goes [Ghostlight 8-4450] has Sutton Foster, and Sutton Foster's Reno Sweeney is enough to make this one of the top Anything Goes recordings. Everything Foster does here works, and how. There are fine contributions, too, from Adam Godley and Jessica Stone. However, I lose my enthusiasm when the juvenile and the ingenue start singing those interpolated numbers. Fortunately, Foster sings on most of the tracks. The band sounds great, too, with the orchestrations from the 1987 Lincoln Center Theater revival enhanced by Bill Elliott.
This year saw two recordings of never-before-fully-recorded shows of importance. Kurt Weill and Maxwell Anderson's Knickerbocker Holiday [Ghostlight 8-4450] is one of those scores I've always wanted to hear. I find that the songs which seemed intriguing when I plodded through the vocal score — "Nowhere to Go But Up!," "It Never Was You," "How Can You Tell an American," "Ballad of the Robbers," "September Song" — are indeed fascinating, and sound especially so as orchestrated by the composer. The ones that never seemed to amount to much, don't. But this CD, recorded live at two concerts by conductor James Bagwell and his Collegiate Chorale last January, is essential for fans of Weill. The cast is headed by Kelli O'Hara — very good in a relatively small role — and Victor Garber. Ben Davis and Bryce Pinkham also do quite well.
04 Dec 2011
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Cover art for Anything Goes

