By Adam Hetrick
01 Dec 2012
photo by Joan Marcus
The 70-minute drama is set in a female penitentiary where a "lifer," played by LuPone, is pleading her case for parole to Winger's character, a composite figure representing the state who must determine the fate of the anarchist.
While the play is a reunion for LuPone and Mamet, it is also a return to one of Winger's passions. Before Hollywood beckoned, the actress was sociology major in college who studied criminal rehabilitation and counseling. "For some reason I was drawn to it, and here I am, as life happens, investigating it again in The Anarchist," she says.
The play, according to Winger, takes a head-on look at "The whole question of rehabilitation. What does that mean and what do we believe in as a nation?"
Winger points out, "In New York State no one goes in front of a parole board. And most citizens, voting citizens do not know that. As soon as I found out that existed in the world, let alone New York State, I was in. I thought, 'I've got to talk about that and I've got to say these words on stage.'"
LuPone was compelled, she says, because, "These are cerebral arguments and they're legitimate arguments facing people in prison today. I don't think the performance will ever be incendiary because it might diffuse the argument. The fireworks are in the language. Come in, and sit down, and listen. Let the play do the work, and let the play work on you."
"Where else do we have left for polemics in the world?" Winger asks. "The news is all canned. There's no real information being discussed. David is almost polemical in that way. He will bring both sides of an argument so that we can all reach the bigger question. And that's what I'm looking to do. Is to balance Patti's argument, so that everyone can walk out of the theatre, not with an opinion, but with a bigger question."
(Adam Hetrick is a staff writer for Playbill.com whose work is often seen in the pages of Playbill magazine.)