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The Tradition Continues
By Mervyn Rothstein
06 Feb 2004
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Alfred Molina (right) and Randy Graff
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The offer to star in Broadway’s new production of Fiddler on the Roof presented actor Alfred Molina with a challenge he couldn’t resist.
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Alfred Molina never envisioned starring on Broadway as Tevye in Fiddler on the Roof.
"If someone had asked me to name the five musical roles I would like to play, Tevye wouldn't have
been on the list," Molina says. "It wasn't that I didn't like the show or the role — I love them both. But
part of me may have thought it might be a little bit beyond my reach. It took a conversation with two
actor friends. They told me I'd reached the age where it can be very easy to slip into something safe
and comfortable — so now's the time to make a choice that scares me."
So the tall and burly 50-year-old London native, a Tony nominee and Drama Desk Award winner as
Best Actor in 1998 for Art, is onstage at the Minskoff Theatre in a new production of Fiddler, the
beloved adaptation of Sholom Aleichem's tales of Jewish village life in pogrom-plagued Russia in the
early 1900's.
"We're trying to avoid the word revival," Molina says in a relaxed English accent that betrays
neither fear nor trembling. "The word conjures up resuscitating something that's dead. Fiddler is very
much alive. We think of this as a rediscovery of a wonderful work that stands up to any modern test in
the quality of its music and lyrics and the strength of its book."
Fiddler on the Roof opened on Broadway on Sept. 22, 1964, with the legendary Zero Mostel as Tevye
the Dairyman. The New York Times called the show an "achievement of uncommon quality" that
"catches the essence of a moment in history with sentiment and radiance." With a book by Joseph Stein
and direction by Jerome Robbins, Fiddler won nine Tony Awards, including Best Actor for Mostel and
Best Musical, and ran for 3,242 performances. Jerry Bock and Sheldon Harnick's beloved score
included such classics as "Tradition," "Sunrise, Sunset," "If I Were a Rich Man" and "To
Life" — songs that to this day, for countless audiences, are laden with happiness and tears.
The 2004 Fiddler features Randy Graff (City of Angels) as Tevye's wife, Golde, and Barbara Barrie
(Company) as Yente the Matchmaker. The director is David Leveaux, whose credits include last
season's Tony-winning revival of Nine, and Jerome Robbins's original choreography is being
re-created.
In Fiddler, Tevye grapples with a changing world, where modern values challenge the long
"Tradition" of his village's daily life. His three eldest daughters shun the custom of arranged
marriages and wed for love — to a humble tailor, a dissident student and, ultimately and most
egregiously for Tevye, a non-Jew.
"It's really a universal story," Molina says. "It's not just Jewish peasants in Anatevka in 1905.
It's about love, and family, and inevitable change — about being separated from what you know and
having to embrace what you don't know. The musical has so much resonance in America, because so
many people trace their ancestry to immigrants who fled some kind of oppression."
But Tevye, he says, "is not a victim. He has conversations with God, and they are real discussions.
He's not complaining about how hard things are. He challenges God. That suggests a very active spirit,
with energy and virility, a man young enough to reaffirm the emotional and passionate side of life with
his wife. When Tevye's horse goes lame he can still pull his cart. And he gets angry. He can almost pick
a fight with the Russians. The Hasidic celebration of God — through dance, through music, through
family — suggests people very much in touch with feelings, with passions. They weren't walking around
shrugging their shoulders, going, 'Oy, a terrible life.' They were grabbing life by the throat and making
the best of it."
Molina grew up in London, the son of a Spanish-born waiter and an Italian-born housekeeper, and
began grabbing life by the throat at an early age. "Family history says that from age nine I wanted to
be an actor. I was in a school play, and I remember the feeling I got when I made people laugh."
He went to the Guildhall School of Music and Drama in London, became a member of the Royal
Shakespeare Company and garnered an Olivier nomination in 1980 in London as Jud Fry in Oklahoma! His
many film credits include "Raiders of the Lost Ark," "Frida," "Prick Up Your Ears," "Chocolat" and "Enchanted
April." This summer he will appear as Dr. Octopus, Tobey Maguire's archenemy, in "Spider-Man 2." "I've
got Spider-Man yarmulkes for Fiddler's writers," he says. "That's their present on opening night."
Molina hopes audiences will feel "the excitement, the joy, of discovering Fiddler the way everyone
did in 1964. We want a new generation to have that experience. And we want people who saw the show
in 1964 to leave the theatre and say, 'I had forgotten how good this show is.'"
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