|Photo by Joseph Marzullo/WENN|
Norm Lewis has played many celebrated roles over the last 20 years — Inspector Javert in the 2006 revival of Les Misérables, King Triton in The Little Mermaid, Porgy in the 2012 production of Porgy and Bess — but each time he was interviewed, Lewis cited one role that he wanted to play more than any other: The title character in The Phantom of the Opera.
Now that dream has come true; Lewis will slip on the iconic half mask May 12, becoming the first African-American to play the Phantom on Broadway in the show's historic 26-year run.
Robert Guillaume, who succeeded the original Phantom Michael Crawford in the Los Angeles run in the early '90s, is the only other black actor to have played the part in a major production. And as much as he wanted the role for himself, Lewis said he wanted it as a sign of encouragement for other actors of color.
Lewis's commitment to diversity is also the motivating force behind "The Black Stars of the Great White Way," a concert he's producing at Carnegie Hall June 23. "It's usually women who get a diva's concert," said Lewis. "Men don't get celebrated, whether they're black, white, blue, or green. So I decided to put this show together to celebrate African-American men."
But race wasn't a factor in his getting the Phantom job. "He nailed the audition," said the show's legendary director Harold Prince. "He was so focused and erotic. Also, he has great presence and energy." Nor was Prince bothered by the fact that the role is typically sung by a tenor. "He's got a terrific voice for it," Prince said.
Despite his vocal prowess and seductive looks, Lewis wasn't one of those kids who always dreamed of a career in show business. He sang in the church choir as a boy growing up in Eatonville, FL, a small all-black town near Orlando, but he said he never took singing seriously until, to fulfill an elective in high school, he joined show choir. "I would sing a solo and people would clap. And I was like, 'Wow, I kind of like this,'" he recalled.
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