|Photo by Joseph Marzullo/WENN|
Repeat: "Rap artist Jay-Z is currently working on additions to the score."
What question to ask first. How does that work? How did this happen? Is this OK with Annie's composers Charles Strouse and Martin Charnin, who are both very much alive? If so, why is it OK? Is Little Orphan Annie going to rap in the movie? Will FDR? Does Jay-Z secretly love musicals? Will "NYC" be replaced by "Empire State of Mind"?
The film is going to be produced by actor Will Smith (Willow is his daughter), and is adapted from John Huston's screenplay by actress Emma Thompson, who has been working on it for three years. The film will include some of the classic tunes from Annie, beloved for decades by musical fans. But others will be cut in favor of additions by Jay-Z. Strangely enough, the rapper has a history with the score. He previously reworked "It's the Hard Knock Life" into his "Hard Knock Life (Ghetto Anthem)," a single from his third album, "Vol. 2: Hard Knock Life." Jay-Z is also co-producing the film with Smith.
This news comes as New York is getting ready for the latest Broadway revival of Annie. Under the direction of James Lapine, it will begin previews at the Palace Theatre Oct. 3, prior to an official opening Nov. 8. Lilla Crawford stars.
Casting is complete for the Damon Intrabartolo-Jon Hartmere Off-Broadway rock musical Bare, a coming-of-age rock musical set in a Catholic boarding school. Taylor Trensch and Jason Hite will star as undercover lovers Peter and Jason, respectively.
Bare will also star Elizabeth Judd, Gerard Canonico, Jerold E. Solomon , Barrett Wilbert Weed and Missi Pyle. Stafford Arima directs.
As previously announced, Bare will begin previews Off-Broadway at New World Stages Nov. 19, prior to an official opening Dec. 9. Bare had its world premiere at the Hudson Theater in Los Angeles, CA, where it began performances Oct. 14, 2000, and ran through Feb. 25, 2001. Bare has since had more than 100 productions worldwide.
Karen Allen, Indiana Jones' favorite squeeze, will star in the American premiere of Norwegian playwright Jon Fosse's A Summer Day, translated and directed by Sarah Cameron Sunde. The Rattlestick Playwrights Theater production begins previews Off-Broadway on Oct. 10.
The play tells how a visit to an old friend sparks the memory of a visit years earlier and the mysterious disappearance of a loved one. It is set in two time periods in the same idyllic house. Fosse is considered a leading playwright in Norway, but is little-known in the U.S.
In more Off-Broadway news, the producers of the recent musical Soul Doctor, about the life and singing career of Rabbi Shlomo Carlebach, said they are in talks to move the show either to Broadway’s Circle in the Square Theater or to Off Broadway’s New World Stages.
The most interesting aspect of this theatre story is its lead producer, Jeremy Chess. He is a New York retina surgeon who has never produced a show before. Chess conceived Soul Doctor about six years ago after noticing the popularity of Carlebach’s songs at weddings and other celebrations. The show, which was written and directed by Daniel S. Wise, recently had three-week run at New York Theater Workshop (a rental there). Reviews were mixed, but crowds were good. Chess said that further work would probably be done on the show, and that he has a group of 10 investors so far and was looking for more.
Given the good doctor's profession, one assumes he's eyeballing the situation clearly.
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