Show | This Week Gross Potential Gross | Diff $ | Avg Ticket Top Ticket | Seats Sold Seats in Theatre | Perfs Previews | % Cap | Diff % cap |
---|---|---|---|---|---|---|---|
Aladdin New Amsterdam Theatre | $1,269,331.50 $1,358,674.00 | -$20,335.00 | $93.95 $215.50 | 13,510 1,727 | 8 0 | 97.79% | 0.40% |
Anastasia Broadhurst Theatre | $935,310.40 $1,093,588.00 | $32,616.90 | $103.05 $273.00 | 9,076 1,143 | 8 0 | 99.26% | 0.39% |
The Band's Visit Ethel Barrymore Theatre | $988,642.58 $1,038,880.00 | -$4,571.92 | $122.71 $247.00 | 8,057 1,039 | 8 0 | 96.93% | 1.38% |
Beautiful: The Carole King Musical Stephen Sondheim Theatre | $743,166.00 $1,106,908.00 | -$1,422.00 | $106.79 $249.00 | 6,959 1,026 | 8 0 | 84.78% | -0.28% |
The Book of Mormon Eugene O'Neill Theatre | $1,180,081.00 $1,192,364.00 | -$20,849.50 | $136.71 $477.50 | 8,632 1,066 | 8 0 | 101.22% | 0.49% |
A Bronx Tale The Musical Longacre Theatre | $748,029.45 $921,066.00 | $22,025.29 | $95.78 $250.00 | 7,810 1,044 | 8 0 | 93.51% | 3.47% |
Chicago Ambassador Theatre | $583,674.75 $958,024.00 | -$8,681.15 | $79.80 $187.00 | 7,314 1,080 | 8 0 | 84.65% | -0.48% |
The Children Samuel J. Friedman Theatre | $272,664.50 $688,136.00 | -$3,742.50 | $62.54 $199.00 | 4,360 650 | 8 0 | 83.85% | 1.25% |
Come From Away Gerald Schoenfeld Theatre | $1,197,545.44 $1,260,966.00 | -$3,622.36 | $140.49 $347.00 | 8,524 1,046 | 8 0 | 101.86% | 1.20% |
Dear Evan Hansen Music Box Theatre | $1,697,500.12 $1,425,136.00 | -$10,284.90 | $212.67 $448.00 | 7,982 984 | 8 0 | 101.40% | -0.04% |
Farinelli and the King Belasco Theatre | $838,924.44 $927,800.00 | -$27,412.86 | $103.02 $273.00 | 8,143 1,051 | 8 0 | 96.85% | -1.09% |
Hamilton Richard Rodgers Theatre | $3,086,536.00 $2,895,648.00 | -$9,532.00 | $286.99 $849.00 | 10,755 1,321 | 8 0 | 101.77% | 0.02% |
Hello, Dolly! Sam S. Shubert Theatre | $1,171,765.23 $1,476,416.00 | $799,564.79 | $103.56 $297.00 | 11,315 1,446 | 8 0 | 97.81% | -2.36% |
John Lithgow: Stories By Heart American Airlines Theatre | $433,633.70 $627,024.00 | $51,642.10 | $81.80 $0.00 | 5,301 740 | 8 0 | 89.54% | -0.98% |
Kinky Boots Al Hirschfeld Theatre | $750,072.65 $1,294,256.00 | $3,418.15 | $87.17 $249.00 | 8,605 1,424 | 8 0 | 75.54% | 0.44% |
Latin History for Morons Studio 54 | $529,131.80 $833,960.00 | $3,934.10 | $88.41 $249.00 | 5,985 1,004 | 7 0 | 85.16% | 0.61% |
The Lion King Minskoff Theatre | $1,799,379.00 $1,857,069.00 | -$53,104.00 | $133.63 $225.00 | 13,465 1,696 | 8 0 | 99.24% | -0.55% |
Once On This Island Circle in the Square Theatre | $599,475.78 $792,176.00 | $11,125.28 | $106.25 $249.50 | 5,642 696 | 8 0 | 101.33% | 1.80% |
The Parisian Woman Hudson Theatre | $455,787.50 $1,037,246.00 | -$15,666.50 | $73.15 $260.00 | 6,231 977 | 8 0 | 79.72% | 0.01% |
The Phantom of the Opera Majestic Theatre | $832,473.20 $1,356,418.00 | -$32,294.31 | $75.32 $213.00 | 11,052 1,605 | 8 0 | 86.07% | 4.36% |
The Play That Goes Wrong Lyceum Theatre | $343,415.75 $677,688.00 | $5,375.00 | $66.30 $197.00 | 5,180 854 | 8 0 | 75.82% | 0.85% |
School of Rock – The Musical Winter Garden Theatre | $722,259.84 $1,443,688.00 | $51,513.84 | $82.34 $248.00 | 8,772 1,523 | 8 0 | 72.00% | 6.40% |
SpongeBob SquarePants, The Broadway Musical Palace Theatre | $809,403.30 $1,418,894.00 | $43,997.80 | $75.15 $248.00 | 10,771 1,610 | 8 0 | 83.63% | 5.81% |
Springsteen On Broadway Walter Kerr Theatre | $2,410,400.00 $2,384,275.00 | $3,072.50 | $508.52 $0.00 | 4,740 948 | 5 0 | 100.00% | 0.00% |
Waitress Brooks Atkinson Theatre | $1,626,478.00 $1,019,480.00 | $18,186.40 | $193.54 $270.00 | 8,404 1,045 | 8 0 | 100.53% | -2.72% |
Wicked Gershwin Theatre | $1,497,083.00 $1,779,845.00 | -$86,510.00 | $98.73 $240.00 | 15,163 1,926 | 8 0 | 98.41% | 0.31% |
Of the 26 currently running Broadway productions, 21 played to over 90% capacity crowds for the week ending March 24.
The 25 currently running shows brought in $28 million last week, an increase of 14% from the week previous.
Donna McKechnie, Mary Kate Morrissey, Alexandra Socha, and more joined the cast March 5.
The Jeremy Strong-led revival began its run at Circle in the Square Theatre February 27.
Audiences are flocking to see Sarah Paulson in the Second Stage production, which is getting a commercial extension and transfer.
Grosses soared last week with an overall increase of more than 27% compared to the week prior.