Casting Notice - Queer Black Sci Fi Music Theatre Concert Production

Casting Notice - Queer Black Sci Fi Music Theatre Concert Production

CATEGORY: Performer

Bring the Beat Back Experience
Chicago, IL 60657
US

Job Details

DESCRIPTION

CASTING NOTICE: BRING THE BEAT BACK

 

On Saturday June 15th from 3 pm – 6 pm, Otherworld Theatre Company is hosting a final round of auditions for BRING THE BEAT BACK, a queer, black, sci-fi, staged concert production.  Interested parties should submit headshots and resumes to btbbcastingacct@gmail.com with “AUDITION REQUEST” in the subject line.

 

This is a non-equity presentation, paying a minimum of $150. Roles are for performers of African descent (Latinx included). Performers of all gender expressions are encouraged to apply. The show will run weekends in September, with rehearsals starting in August.

 

 

About the Musical

Conceived by playwright Derek Lee McPhatter, Bring the Beat Back is an energetic music-theatre experience, set in a futuristic, groove-centered alternative reality.  Our hero journeys towards self-acceptance and spiritual affirmation, as religious authorities and an ostentatious gay subculture clash over music at the center of his world. The music is grounded in house, funk and electronic grooves, inspired by afro-futurist traditions in gospel, disco, RnB and hip hop, as well as underground ball culture.

 

Available Roles

Candidates are encouraged to submit for any role whose gender expression they are interested in performing.

 

DAYTON MACNAMARA BLACK

Black / African Descent

18 - 25

The Favored son and “the voice” for the Tru Believer Movement. Youthful, optimistic, choir boy. A little reserved. Tenor.

 

TRUDY MACNAMARA BLACK

Black / African Descent

21 - 27

Dayton’s big sister. Favored daughter and “the dancer” of the Tru Believer Movement. Energetic, head-strong, fast talker. Can dance well and rap.

 

RAYMOND DAVIDSON PRESCOTT, Formerly Del Rey Dupri of the Illustrious Industrious House of Dupri

Black / African Descent / Latinx

27 - 37

Last survivor of the House of Dupri. Presents as male, sometimes with a femme edge, always with bravado. Can dance well and rap.

 

THE CAPTAIN

Black / African Descent

Open Age   

The Boss on the Musicship Megarhythmic. A celestial being with authority. Old school. Serious. No nonsense. No mess, especially from those humans. Baritone / Bass.

 

THE BARONESS

Black / African Descent

Open Age

Another celestial being. One of the Krew on the Musicship Megarhythmic. Ready to show out to impress that Captain. Gospel/funk inflections. Alto or Tenor.

 

LADY ACE

Black / African Descent

Open Age

Another celestial being and member of the Krew. Quick with the gossip and side-eye. Never to be outdone by The Baroness! Disco /R&B vibes; A good auntie. Soprano, Alto, Countertenor.

ENSEMBLE

Several singer/dancers well-versed in Soul, R&B, funk, and Gospel stylings, playing multiple roles.

 

SELF TAPES are also accepted.

Please send your material to: btbbcastingacct@gmail.com

 

 

For DAYTON, THE CAPTAIN, BARONESS, LADY ACE, or ENSEMBLE - Please submit a 1-minute monologue and 16 bars of a soul, gospel, disco, funk, or R&B song.

 

For TRUDY or RAYMOND - Please submit a 1-minute monologue, 16 bars of a rap song, and a 1-2 minute dance routine.

 

 

We are also accepting resumes for

Production Assistants

Make-Up & Props

 

Detailed Story Synopsis

 


DJ Desdemona has died, and her children - Trudy and Dayton - are the new leaders of the DJ’s “Tru Believer” movement. Trudy’s boyfriend, Studness, hires an ex-gay consultant, Rey, to make Dayton heterosexual, as is expected for all Tru Believers. Rey’s fabulous intervention mesmerizes Dayton with memories of a queer black underground and news of the Grandest Ball of All (a competition on the other side of town).

 

Meanwhile, Trudy and Studness prepare the Tru Believer congregation for the apocalypse, and Trudy’s negotiations with The Krew (a boisterous collective of computerized spirits in outer space) leave no doubt: the world is beggin’ for Armageddon. The Krew reminds everybody about the Tru Believer gospel: mysterious rhythms are the path to salvation, and Dayton leads a music ritual to reveal the beat. Rey claims that rhythm was originally created by the queer underground and invites Dayton join him at the Ball with the beat.

 

So we’re off to the Ball! Rey’s longing for his glory days; Trudy’s frustration at her brother’s faltered steps; Studness’ confusion with a fiancé who barely sees him – and Dayton, following his heart even unto the End of the World. Maybe the Krew is right and this is how it’s all going to end. Or maybe, just maybe, this can be the beginning of something new for all of us...

www.otherworldtheatre.org

 

www.thebeatisback.com

DURATION

August 13, 2019 - September 29, 2019

HOW TO APPLY

APPLY BY EMAIL

Send e-mail to 0000016b-39ca-d36e-a5ff-bffb9b5c0000...

*NOTE: Do not copy/paste the above email address as it is encoded with SPAM protection. Just click it to initiate an email from your preferred email client.

APPLY ONLINE

https://thebeatisback.com/blog/2019/6/7/final-casting-notice-for-chicago-concert-production

Audition Information

WHEN

June 15, 2019 at 3:00PM -

Where

Otherworld Theatre Company

WHAT TO PREPARE

On Saturday June 15th from 3 pm – 6 pm, Otherworld Theatre Company is hosting a final round of auditions for BRING THE BEAT BACK, a queer, black, sci-fi, staged concert production.  Interested parties should submit headshots and resumes to btbbcastingacct@gmail.com with “AUDITION REQUEST” in the subject line.

 

This is a non-equity presentation, paying a minimum of $150. Roles are for performers of African descent (Latinx included). Performers of all gender expressions are encouraged to apply. The show will run weekends in September, with rehearsals starting in August.

Minors must be accompanied by an adult

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