Phantom Touring, LLC
Call Type: ECC
$2095/week current min
Music by ANDREW LLOYD WEBBER
Lyrics by CHARLES HART
Additional Lyrics by RICHARD STILGOE
Book by RICHARD STILGOE & ANDREW LLOYD WEBBER
Based on the novel ‘Le Fantôme de l’Opéra’ by GASTON LEROUX
Orchestrations by DAVID CULLEN & ANDREW LLOYD WEBBER
Musical Supervisor: JOHN RIGBY
Choreography by SCOTT AMBLER
Directed by LAURENCE CONNOR
Production overseen by MATTHEW BOURNE & CAMERON MACKINTOSH
Produced by Cameron Mackintosh and The Really Useful Theater Company in association with NETworks Tours
General Manager: Gentry & Assoc.
Casting: Tara Rubin Casting
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
For future replacements in the 4th National Tour (25th Anniversary Tour), seeking female dancers for the ensemble. All female dancers should have a degree of innocence about them and look very young (18-25). We need experienced, classically trained dancers. Most of the audition will be on POINTE. Please have pointe shoes and flat ballet shoes with you.
We need strong classical dancers. We are not looking for tap dancers, jazz dancers, or “hoofers.”
Casting for The Phantom of the Opera is interracial. Dancers of all ethnic backgrounds and races are encouraged to attend.
Ripley-Grier Studios (520)
520 8th Ave
New York, NY 10018-6507
Wednesday, November 14, 2018
All dancers, please be dressed, warmed up and ready to dance at the hour the audition begins. Most of the audition will be on POINTE. Please have pointe shoes and flat ballet shoes with you. If asked to stay and sing, choose music from the musical theatre repertoire that best shows off your voice and range. Bring sheet music in your key. An accompanist will be provided. There is no solo singing for the dancers (except ‘Meg’), but they will have to carry some vocal responsibility in the ensemble numbers.