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ON THE RECORD: Ebersole and Stritch Celebrate "Sunday in New York," Durang Is Adrift in Macao
By Steven Suskin
25 May 2008
This week's column discusses Christine Ebersole and Billy Stritch's nightclub act transformed to CD, under the title "Sunday in New York," and the original cast album of the 2007 film noir spoof Adrift in Macao.
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SUNDAY IN NEW YORK [Ghostlight 8-3310]
Christine Ebersole and Billy Stritch come out a-swinging on "Sunday in New York," their new CD, and hardly ever let up. An irrepressible ride they give us, and one that'll brighten both your sun days and those with a few clouds in the skies. Ebersole and Stritch first joined together while pounding the beat of 42nd Street. 42nd Street the revival, that is, where Stritch served as onstage accompanist to Ebersole's Dorothy Brock way back in 2001. Ms. Ebersole took her first Tony Award, which by now has expanded to two (and deservedly so) thanks to her little performance in Grey Gardens. But all through the decade, it seems, Christine and Billy have found time to ply their wares, turning up anyplace they could find a tuned piano.
"Sunday in New York" has something of a '50s feel to it, at least in terms of the cover art (with Ebersole in strapless white gown atop a grand while Stritch sits at the keys — both of them sporting a full mouth of impossibly pearly whites). The CD more or less follows the show the pair presented in 2007 at the Metropolitan Room, and quite a set it is.
Things get off to a fast start with "Haven't Got a Worry" (by Jay Livingston and Ray Evans, from the 1953 movie "The Stars Are Singing") and "Sunday in New York" (by Carroll Coates and Peter Nero, written for the 1962 film version of the Broadway comedy). Next come a fast-paced "My Favorite Things," which is very good, followed by a nifty "Surrey with the Fringe on Top." A change of pace is offered in "So Many People," and it makes that early Sondheim tune from Saturday Night sound exceptionally good. Stritch — who does a considerable amount of singing on the CD — gives us "Give Me the Simple Life" combined with "Tea for Two." "Tea for Two" we are familiar with, especially those who caught Nanette at Encores recently, but Rube Bloom's "Give Me the Simple Life" is one of those wonderful songs we rarely hear and can't get enough of.
I needn't step through each and every song, but I can't see clear to leave out any of my favorite tracks (of which there are way too many). There's a wild '40s-era mix of "Hit That Jive, Jack" (Johnny Alston-Skeets Tolbert) and Nat King Cole's "Errand Girl for Rhythm"; a deliciously mellow "Walkin' in New York" (by Brenda Russell, one of the Color Purple songwriters); and renditions of "Lullaby of Broadway" (from 42nd Street) and "Will You?" (from Grey Gardens). Not to mention an especially special setting of Sondheim's "Not While I'm Around." Is Ms. Ebersole on tap to come out and play Mrs. Lovett in the 2014 revival of you know what? Without tuba, hopefully. Continued...
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