By Robert Simonson
06 Sep 2010
|Photo by Aubrey Reuben|
This fall, that musical is arguably Women on the Verge of a Nervous Breakdown. A few years ago, the thought of a stage adaptation of a film by Spanish film auteur Pedro Almodóvar might have been considered ludicrous. But in 2007, London playwright Samuel Adamson showed the world that the feat could be done and done well, when his theatricalization of Almodóvar's All About My Mother was a critical and popular hit.
Women on the Verge adds music to the equation, pushing the Almodóvar envelope a little further. Undersung Broadway veteran David Yazbek (The Full Monty, Dirty Rotten Scoundrels) is providing that score for Lincoln Center Theater, ensuring that Almodóvar's flamboyant, funny scenarios will get tunes to match. Jeffrey Lane, also of Dirty Rotten Scoundrels, has penned the book, Gypsy co-stars Patti LuPone and Laura Benanti reunite for the production, joining Brian Stokes Mitchell and Sherie Rene Scott, and LCT golden boy Bartlett Sher directs, beginning Oct. 2 at the newly restored Belasco Theatre.
Another screen-to-stage musical is Elf, a new show by Matthew Sklar and Chad Beguelin (the team from The Wedding Singer), with a book by Bob Martin (The Drowsy Chaperone) and Thomas Meehan (The Producers). Casey Nicholaw directs the story of an orphaned boy who is raised by Santa's elves and is unaware he is a human. It begins Nov. 2 at the Al Hirschfeld Theatre. With no Grinch in sight this Broadway season, the show may prove a popular holiday-themed show.
|photo by Paul Kolnik|
Another big, new musical of the fall, John Kander and Fred Ebb's The Scottsboro Boys, will be less of a surprise, since it already enjoyed an extended run Off-Broadway last season. Largely written before Ebb's death in 2004 (with some lyric additions by composer Kander since then), the inventive, presentational telling of the infamous 1930s trial(s) and injustice of the title scored an unlikely critical success at the Vineyard Theatre downtown. Performances begin at the Lyceum on Oct. 7. Susan Stroman, who first made her name 19 years ago with a Kander and Ebb revue called And the World Goes Round, directs.
Also making the move uptown — this time from the Public Theater — will be Alex Timbers and Michael Friedman's Bloody Bloody Andrew Jackson, which re-imagines our seventh President as a populist rock star. The show was extended many times downtown. Newcomer Benjamin Walker will star as Battle-of-New-Orleans-fightin', Second-Bank-of-The-United-States-smashing Old Hickory. Previews begin Sept. 20 at the Bernard Jacobs Theatre.
The Public Theater is full of Broadway transfers this season. Also coming is the summer's acclaimed Central Park staging of The Merchant of Venice starring Al Pacino. It will begin a limited run at the Broadhurst Oct. 19.
Two shows will compete for the title of Most Quixotic Venture of the autumn. The Pee-wee Herman Show marks the return — and legitimate debut — of the iconic 1980s kiddie-show creator and star, Paul Reubens. (The work has roots in a 1980s L.A. stage show of the same name, and also borrows elements from the hit TV show, "Pee-wee's Playhouse.") It will be the first production to play the newly christened Stephen Sondheim Theatre (formerly Henry Miller's Theatre), starting a limited run Oct. 26.
More literary, but just as whimsical, will be a revival of David Hirson's 1991 Molieresque, modern verse play La Bête. Its first time around, the play generated more talk than ticket-sales. But this production will star David Hyde Pierce and Mark Rylance, both Tony winners. One of Broadway's busiest and most successful directors, Matthew Warchus (Boeing Boeing, The God of Carnage), is at the helm. Previews start at the Music Box Sept. 23, following its summer run in London.
|photo by Manuel Harlan|