Frank Rich, The New York Times opinion columnist who spent 14 years as the chief theatre critic for that newspaper, is departing after 31 years to join the staff of New York Magazine, according to the Huffington Post.
In a statement New York Magazine editor Adam Moss said, "Frank Rich is a giant—a powerhouse critic of politics and culture, a rigorous thinker, a glorious stylist, a skeptic and optimist at the same time. There is just no one like him in American journalism...He is also a friend. I have had the privilege to work with him for almost 25 years. Since the day I came to New York, I have hoped I could persuade him to join us here. I'm ecstatic that he will now be bringing his wisdom to our growing audience. This is a very big day for New York."
Rich, according to the March 1 announcement, will be an "essayist for the magazine, writing monthly on politics and culture, and serve as an editor-at-large, editing a special monthly section anchored by his essay." He will also be a commentator on nymag.com.
Rich stated, "There is no greater newspaper than the Times. I leave the paper with deep affection for both the institution and my many brilliant colleagues, and with much gratitude for the opportunity the paper gave me to serve in two dream jobs in journalism. After seventeen years in my second career there, as a columnist, I feel much as I did after nearly fourteen years in my first, as chief drama critic—both the satisfaction that I’ve given a great job all I had and a serious hunger to move on to fresh and expanded writing challenges after having done the same assignment for so long. I’ve spent much of the past year talking to friends inside and outside the Times about what might be most exciting for me next. It was impossible to top the idea of reuniting with my friend Adam Moss, who has played a crucial role in my writing life since the late 1980s and who, as editor of the Times Magazine, was instrumental in my transition from arts criticism to broader essay writing. The role Adam has created for me at his revitalized New York Magazine will allow me to write with more reflection, variety, and space than is possible within the confines of a weekly newspaper column—and, for that matter, will allow me to stretch the definition of a magazine column."
All The Way
Bullets Over Broadway
Of Mice and Men
The Cripple of Inishmaan
The Realistic Joneses
The Velocity of Autumn
Tony n' Tina's Wedding