By Steven Suskin
27 Mar 2011
An even more stunning coming of age story, in French, is Louis Malle's 1987 Au Revoir Les Enfants [Criterion]. This beautiful and wrenching film remains as striking as ever; the newly restored digital transfer, supervised by director of photography Renato Berta, only adds to the film's allure. Malle told a tale of his 11th year, in a Catholic boarding school in occupied France (circa 1943). Not the sort of Catholic boarding school we hear about all too often these days, but a school led by a heroic priest with morals and principles. What an exquisite — and provocative — film this is. Bonuses include video interviews with Candace Bergen, Malle's widow, and his biographer Pierre Billard; audio excerpts from a 1988 AFI interview with Malle; "Joseph: A Character Study"; and the 1917 Charlie Chaplin short "The Immigrant," which Malle features in the "movie night" section of his film.
The Criterion Collection also brings us a Blu-ray fest for Savoyards, giving us two views of The Mikado. Mike Leigh's 1999 film Topsy-Turvy is a fine slice-of-strife view of the partnership of Gilbert & Sullivan, centering on the production of their 1885 super-smash about those gentlemen of Japan, a wand'ring minstrel, and the Lord High Executioner. "Topsy-Turvy" is well told and acted, and vastly enjoyable — even to folks with little interest in Gilbert, Sullivan, D'Oyly Carte and the others. By placing "The Mikado" as the show-within-the-show, Leigh benefits not only from the association with a still-familiar classic but from that operetta's colorful trappings (which earned two Oscars, for costume design and makeup).
Jim Broadbent and Allan Corduner play G. & S., respectively, and Timothy Spall and Lesley Manville lead the rest of the troupe. The director-approved Blu-ray special edition inclues a new digital transfer; audio commentary from Leigh; a new video conversation with Leigh and his musical director; and Leigh's 1992 short film "A Sense of History," written by and starring Broadbent.
Speaking of The Mikado, Criterion gives us that as well. This is the fascinating if problematic 1939 version, produced with the participation — and incorporating elements — of the D'Oyly Carte Company. Victor Schertzinger directs; while he was an all-round hand in Hollywood, he is best remembered as composer of two very good songs, "I Remember You" and "Tangerine" (both with lyrics by Johnny Mercer).
Prime among the assets of this Mikado are the D'Oyly Carte trappings (filmed in vibrant, early Technicolor) and members of the troupe. Martyn Green, who entered the lists in 1922, had now graduated to the principal comedian roles. Here he is, as Ko-Ko, preserving the authentic G&S tradition. Also on hand is veteran Sydney Granville as Pooh-Bah. Conversely, American radio singer Kenny Baker is shoehorned in as Nanki-Poo, presumably to help draw in U.S. audiences. He's not bad, exactly, but he certainly does stand out among the others.
Yes, it is great to have Green in his prime; but what kind of Mikado is it in which they cut Ko-Ko's "I've Got a Little List"? Yes, that's right; the song is gone, along with other important sections. This manages to cut the film down to a brisk 91 minutes, but at what cost? Geoffrey O'Brien's incisive essay in the liner notes suggests that the song was cut not due to length but because of satiric jabs within the filmed number referring to Hitler and Neville Chamberlain, which by the time of the release was no laughing matter.
So what we get in this especially colorful Blu-ray release is a Mikado that is at one and the same time historically authentic and damagingly incomplete. It does, though, give us something of an idea of the traditional D'Oyly Carte production of The Mikado — and the estimable Martyn Green, too.
Some folks had "Leave It to Beaver" or "Make Room for Daddy," others had "The Brady Bunch" or "Happy Days." That is to say, the sitcom featuring child actors that came on when you turned six or seven, and thus could be considered your TV show. Mine I had all but forgotten, but here it is on DVD: Dennis the Menace: Season One [Shout Factory]. Jay North starred as that bundle of trouble, back in the days when a troublesome youth wasn't the same as a troubled youth; and back when a season, in sitcom parlance, meant 32 episodes. This was 1959-1960; the show continued through 1963. North is supported by Herbert Anderson and Gloria Henry, as his long-suffering parents; Joseph Kearns, as good ole Mr. Wilson; and Billy Booth and Jeannie Russell as the supporting kids. Watching the second episode, though, I picked out an astoundingly cute five-year-old — uncredited, but quite obviously Ron Howard. He appeared in several early episodes before he finally met Andy Griffith, and went on to stardom.
How is "Dennis the Menace," after all these years? Funny. The comedy is manufactured, needless to say; but the kid is charming, and it is all very good-natured. My 11-year-old, after the first disc, said "this is funnier than 'Tom and Jerry.'" So there.
North, with his startling blond cowlick, started the series when he was eight and is now reportedly a 59-year-old corrections officer in Florida. I hadn't thought of him in years and years — I mean, why would I? — but he surfaced in Michael Gregg Michaud's biography of Sal Mineo (which I recently reviewed for Playbill's "Book Shelf" columnhttp://www.playbill.com/features/article/146011-TEH-BOOK-SHELF-Holiday-Roundup-of-Theatre-Books-Fit-for-Gift-Giving). Which sure is an uncomfortable place to encounter Dennis the Menace.
(Steven Suskin is author of the recently released Updated and Expanded Fourth Edition of "Show Tunes" as well as "The Sound of Broadway Music: A Book of Orchestrators and Orchestrations," "Second Act Trouble" and the "Opening Night on Broadway" books. He also pens Playbill.com's Book Shelf and On the Record columns. He can be reached at firstname.lastname@example.org.)
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