"Get Them While They're Young": MTI's Broadway JR. Inspires Next Generation

By Adam Hetrick
06 Aug 2012

The Little Mermaid JR.
Marcus Woollen/MTI

"It doesn't just arrive, your love and passion for music and theatre — it has to be something that's bubbling," says Tony Award nominee Tesori, whose hit Thoroughly Modern Millie was adapted for Broadway JR. "Even if it's not apparent, it's dormant and then it bubbles to the surface."

Even before the arrival of Broadway JR., the Great White Way was rarely the end of the road for a given musical; a show's creators were often aware that it would live on to be performed by schools and theatres across the world. "It keeps you honest," says Tesori. "You're not relying on technology. You think, 'Can a grade school do this? Can people with just a piano and felt do this?' It's a wonderful litmus test for a writer."

As Sondheim recalls telling his Into the Woods collaborator James Lapine, "I said, 'If this show works it will be done in schools and for kids forever and ever.' The intention of [Into the Woods] was to do a show for Broadway, but also a show that would have a longer life in schools than most shows do."



That longer life has now been given to other Broadway shows that might otherwise have seemed too intimidating or difficult for a school setting. Broadway JR. titles go through a series of readings and workshops with young performers; in most cases, the writers are involved as much as possible. Schwartz calls it "the equivalent of an out-of-town try-out. It's a delicate process to do it correctly."

Musicals like Seussical and The Little Mermaid, which debuted on Broadway in large-scale commercial productions, take on a new luster when performed by young actors who put imagination, heart and simple storytelling first. Those shows are now among the catalogue's hottest titles.

Finian's Rainbow JR.
Marcus Woollen/MTI

Despite shrinking arts funding and school budget cuts, Broadway JR. is thriving, bringing the American musical to classrooms every day. Fifty states in the U.S. use the Broadway JR. collection, reaching some four million students in more than 70,000 productions.

Broadway JR. is changing the role of arts in the American educational system and igniting the fire of a new generation of theatre lovers. Kids accustomed to afternoon cartoons or sports practice are now adding the rhymes of Stephen Sondheim and Sheldon Harnick to their vocabulary. Broadway JR. also garnered Gershon a 2012 Tony Award Honor for Excellence.

The success doesn't surprise Sondheim, who points out that despite the lure of television, video games and technology, "the only thing that there has never been a substitute for is the putting on of a show."

A wide grin spreads across Gershon's face as he recalls his days as an entertainment lawyer working on the original Broadway production of Evita. "In the musical they say, 'Get them while they're young, Evita, get them while they're young,'" he laughs.

Turning serious, Gershon adds, "Putting on a school musical is not a frivolous thing. It's part of education. It requires imagination, creativity and inventiveness. To create something out of nothing on a bare stage — that's a miracle. You never know what that's going to do for someone. Because without that first vision, there are no innovators."

For more information, visit MTIShows.com.

The feature appears in the August 2012 issue of Playbill magazine.