By Kenneth Jones
Has there been self-reflection in the past several weeks?
And what's coming up for you in the next couple of weeks?
What about a job?
27 Mar 2013
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Kazee gives an interview at the 2012 Tony nominee luncheon.
Photo by Monica Simoes
SK: The only thing that this has done for me is make me realize that this career is not the be all/end all. You have to have a life. And life has to go on when your voice shuts down on you, and you have to take a break from what you're doing for a career. You quickly realize that your career cannot be everything to you. And so I've just been sitting and thinking. I've had a lot of time to think. You think about where you wanna go. You know, I'm 37 years old, and I think about where I want to be in the next five years, what do I want to be doing. Do I want to be in New York? Do I wanna go back to L.A.? There's never been a question of not being a part of this business or not being a part of this industry — I love it — it's in my blood, it's always been in my blood, it's just a part of who I am. For me, it's all about figuring out what's next.
SK: Not much, really, just rest. I'm going to try to see a lot of shows, because I have nothing but free time right now. I haven't seen anything because, again, I didn't want to be out and about, and so there's a lot of stuff that I really wanna see — I'm excited to see Matilda and Hands on a Hardbody, and Pippin is coming up, which I'm really excited for.
SK: If something comes up and something comes along, and it's something that I love and something that I want to do, then I'm more than willing to jump on board, but I don't feel the pressure to repeat success. I've just been looking forward to seeing what comes down the road. It's constantly changing in this business, and that's the one thing I always tell people: "You'll know you can't do this anymore when you don't get excited about the possibility of tomorrow." Every day I wonder what's gonna happen tomorrow. I wonder what job offer or what audition will come. It's a really exciting thing to think about.
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(Kenneth Jones is managing editor of Playbill.com. Follow him on Twitter @PlaybillKenneth.)



