Aladdin Tony Nominee Casey Nicholaw Recalls the Airline Attendant Who Changed His Life, Raising Him to New Heights

By Michael Gioia
14 May 2014

Casey Nicholaw
Casey Nicholaw
Photo by Joseph Marzullo/WENN

At the April 30 Tony Award nominees press junket, Casey Nicholaw — who earned his sixth Tony nomination for the choreography of Disney's Aladdin, including a 2011 win for The Book of Mormon — recalled a time when he felt his lowest and remembered the airline attendant who changed his life.

Before becoming a celebrated director and choreographer — Aladdin marks his sixth Broadway credit at the helm (not to mention the sole choreography of Spamalot and direction of To Be Or Not to Be) — "I was always a really poor kid," Nicholaw confessed. In the 1980s, the West Coast native made his way to New York City and began to pound the pavement as a performer.

"I literally had no money in the city, I couldn't get work, and I was dressing as a clown," he recalled with a laugh. "I remember… I flew to Chicago for $200 for the weekend to do what they called a 'shazam' — it's like dancing at a bar mitzvah. When I got there — I [recently] got a new answering machine, and I wanted to check it — it turned out I had a callback for Crazy For You for a dancer, and they [said], 'Come back. You need to be back here tomorrow, and rehearsals start in a week. We lost someone; we moved someone up.'"

With Broadway on the brain, Nicholaw quit his clown job ("They said, 'You'll never work for us again!'") and rushed to the airport. He was determined to make the callback for the George and Ira Gershwin musical, which would open in February 1992 at the Shubert. The only problem was — lacking payment from his clown gig — Nicholaw had no money.



"I had no idea how I was going to get home, and I needed a one-way ticket," he explained. "It was like $400, and I had a credit card, and I said, 'Here' to the lady. She said, 'It's declined. They want to talk to you.' I had one more credit card that I knew wasn't going to work either, and she looked at me — and she knew why I was going back [to New York] because we had talked a little bit — and she acted like she swiped it through. She goes, 'Oh, it works!' And, she ran it through without actually running it through, and I got to go. I flew back to New York — one way — went straight to the audition the next morning and found out an hour later that I had Crazy for You and started rehearsals a week later."

 Continued...