07 Mar 2002
|Photo by Photo by Stephen Mosher|
Los Angeles' Blank Theatre kicks off its first-ever subscription season with a musical theatre coup — the world premiere of a revised rendition of Michael John LaChuisa's First Lady Suite, playing March 7-April 14.
The piece, which revisits the lives of various Presidential First Ladies throughout the 20th Century, stars Victor/Victoria and Chicago's Gregory Jbara as Eisenhower, former Miss America and Cabaret star Kate Shindle as aviator Amelia Earhart, and Violet and Carousel's Paula Newsome as Marian Anderson.
Blank artistic director Daniel Henning (Precious Sons, Hello Again, Starr Struck) directs the four part look at various First Ladies and the people who surround them. "Over Texas" visits the Secretaries of Jacqueline and John F. Kennedy as they fly into Dallas on November 22, 1963. In "Where's Mamie?" Mamie Eisenhower travels through time and space to warn her husband off an affair and of the upcoming racial strife during his presidency. The comic "Olio" features Margaret Truman attempting to sing at a recital while she is constantly interrupted by Lady Bess. The final piece, "Eleanor Sleeps Here," finds Eleanor Roosevelt and Lorena Hickok flying over Washington with Amelia Earhart. Henning and LaChiusa are making adjustments to the show, including the addition of an opening and closing number to frame the piece.
First Lady Suite was first presented Off Broadway at the Public Theater in December 1993. Other LaChuisa musicals include the Tony nominees Marie Christine and The Wild Party.
Opening night is March 9. Tickets are $30. The Blank Theatre plays the Second Stage Theatre at 6500 Santa Monica Boulevard in Hollywood. For ticket information, call (323) 661-9827. The Blank Theatre Company is on the web at http://www.theblank.com.
The Blank Theatre Company is known for its recent productions of The Why, Starr Struck: A Musical Investigation and Hello Again as well as its artistic producer, TV's Noah Wylie. The Los Angeles-based company was founded in 1990.
— By Christine Ehren