By Robert Simonson
19 Apr 2005
|Photo by Joan Marcus|
The show began Dec. 20, 2004, and opened Feb. 2. Though its run will have been a mere 50 previews and 94 regular performances, many observers expected its visit to Broadway to be even shorter. The jukebox musical, which is directed and choreographed by John Carrafa, was dogged by remarkably bad buzz even before it gave its first performance. Opening night reviews were almost uniformly negative.
The new show arrived on Broadway without the luxury of an out-of-town tryout. It was to have premiered on Jan. 27 (and indeed, the opening night party remained on that date), but the unveiling was pushed back to Feb. 2 while the creative team honed their work.
In early January, experienced New York director David Warren was brought in to assist in the staging. Warren reportedly began work at the O'Neill on Jan. 6. John Carrafa, however, remained the official director and choreographer on the project.
Good Vibrations uses more than 30 songs written by Brian Wilson and The Beach Boys—some heard in their entirety, some in snippets. The plot is not a biographical tale of the blond-mopped California band that celebrated cars, girls and surfing in the 1960s. Instead, it follows a group of high school pals desperate to escape their one-factory, New England town and drive to California.
Though the simple storyline and Beach Boys music give the show a 1960s feel, the tale is not set in any specific year.
Also in the youthful cast Jessica-Snow Wilson as Marcella, Sebastian Arcelus, Tracee Beazer, Heath Calvert, Janet Dacal, Tom Deckman, Sarah Glendening, Milena Govich, Amanda Kloots, John Jeffrey Martin, Jesse Nager, David Reiser, Jackie Seiden, Allison Spratt, Carlos L. Encinias, Vasthy Mompoint, Steve Morgan and Krysta Rodriguez.
An additional star is Heidi Ettinger's set, which begins as a grimy assemblage of metal redolent of East Coast industrialism, and later converts to an abstract, stylized approximation of Golden State surf, sand and sky.
Caraffa made his name as a choreographer, creating Tony-nominated dance schemes for Urinetown and Into the Woods. He as also choreographer on the short-lived Dance of the Vampires.
Warren's credits include several works by Nicky Silver and Richard Greenberg, and the Broadway plays Holiday and Summer and Smoke. Like Carrafa, however, he has not directed a musical on Broadway, though his production of Barry Manilow's Harmony very nearly reached Broadway before plans were scrapped due to a fallout in the budget. (He remains attached to the project.)
Bookwriter Richard Dresser is the author of several Off-Broadway plays, including Below the Belt and Rounding Third.
Producers for the Broadway production include NCJ Productions (Nina Keneally, Cathleen Murphy, Jamie Lightstone) with Michael Watt and Dodger Stage Holding.
The upcoming Broadway revival of Sweeney Todd is expected to be the next tenant at the O'Neill.