"I'm not sure I intentionally sought this as a career," John Miller says. "What got me into this was my love of playing the bass."
Miller is a musical coordinator, or contractor, for Broadway shows. For more than 30 years he has been the coordinator on over 100 productions, including the Tony-winning Once, The Gershwins' Porgy and Bess, Newsies, the Follies revival, Jersey Boys, Rock of Ages and Hairspray — all the way back to Barnum in 1980.
He's also a contractor for touring shows, movies and commercials. And yes, he freelances as a string bass player (though not in his musicals) for recordings and concerts, including at the nightclub 54 Below.
What is the musical coordinator's job? He works with the conductor, the composer and the orchestrator "to decide who would be perfect musicians for that show," Miller says. "Musicians who'd work well with that conductor, musicians the composer would want for the style of music, musicians who'd bring everything the orchestrator wants out of the instruments. You're sort of the conduit for all these musical parts of the show." He's also involved in the nitty-gritty, like budgets, substitute musicians and cast albums.
Composer Cy Coleman specifically led Miller to this career. "I worked as a studio musician for Cy. I played on some of his albums and was involved in his Broadway musical I Love My Wife," in 1977. "I was music director and played Harvey, the bass player. Just four musicians were in the band, onstage, acting and singing. About a year later, Cy said he had this show Barnum and asked me to be music contractor. I said, 'Absolutely not.' He was incredulous. I said, 'I'm single in New York, playing the bass, riding my motorcycle, having a great time.' He said, 'I got to give it to some schmuck. I'd just as soon give it to you.' That was 100 shows ago."
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