|Photo by Joseph Marzullo/WENN|
The crowd that had gathered for the morning event milled about the new, oval, center bar that now dominates the lobby, under newly bright and white ceilings. The space is lined by restored classical pillars and adorned by "Shakespeare Machine," artist Ben Rubin's large-scale multimedia sculpture which features 37 LED display screens on which are text fragments from Shakespeare's 37 plays. Bloomberg joked that he hadn't read all of the Bard's plays, but was planning to get to the 37th play tomorrow.
"Forty-five years ago, the city rented this library to Joe Papp for the enormous sum of $1 a year," said the mayor. "By coincidence, that's what I get paid. So that's the only thing I have in common with Joe Papp. But clearly he knew how to drive a hard bargain. Having said that, [the city has] been richly repaid by the classics presented here and the rich cultural heritage he created here."
Upon taking the stage, Eustis pointed out that the mayor and the president of the Ford Foundation — a major project donor — had "both used the name of The Scottish Play in this theatre." In the superstitious world of the stage, saying Macbeth in a theatre is big no-no; it is said to bring a curse upon the house. "Maybe that's the headline The Daily News can use tomorrow," quipped Eustis.
|photo by Joseph Marzullo/WENN|
"150 years ago, Alexis de Toqueville, in his book 'Democracy in America,' wrote a chapter about theatre," Eustis continued. "One of the things he said...the theatre was the one place in America where all classes may gather, rich and poor. That's not always true today. But it must be true, for the theatre to serve its purpose… To quote my favorite president, 'You didn't build that. We all built this.' Hundreds of thousands have built this theatre — designers, patrons, artists, staff, all of us. The entire thing has been about trying to tell the world: 'Come in, gather, make it your space.' That's what this renovation is."
The ceremony was concluded when ensemble members from the recent Public Theater revival of Hair, standing on the mezzanine balcony and looking over the crowd, sang "The Flesh Failures/Let the Sunshine In." Hair was the first production ever presented by the Public/New York Shakespeare Festival in its first, and thus far only, permanent home.
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