|Photo by Nathan Johnson|
Previews began Nov. 4 toward a Dec. 1 opening. The blues/rockabilly/gospel-flavored musical stars Laura Osnes and Jeremy Jordan as the sexy outlaws. The Schoenfeld will next host the revival of Gore Vidal's The Best Man, produced by some of Bonnie & Clyde's producers. Read about the coming B&C cast album.
The new musical with songs by composer Frank Wildhorn and lyricist Don Black tells the story of the Depression-era American outlaws Bonnie Parker and Clyde Barrow. With music by Tony Award nominee Wildhorn (Wonderland, Jekyll & Hyde, The Civil War, The Scarlet Pimpernel), lyrics by Tony winner Black (Sunset Boulevard) and a book by Ivan Menchell (The Cemetery Club), the show is directed by Tony nominee Jeff Calhoun (Broadway's Grease! in 1994, Brooklyn, Big River and Paper Mill Playhouse's Newsies). Sex, flesh, violence and American greed — or "want," if you will — are major elements in the pop show.
Center stage, with guns in their hands as the title characters, are Osnes, a 2011 Drama Desk nominee for playing Hope Harcourt in Anything Goes, and Jordan, recently heroic Jack Kelly in Newsies at Paper Mill.
Music supervision/orchestrations/arrangements are by John McDaniel. Jason Howland is the music director.
|photo by Nathan Johnson|
Van der Schyff originated the role of Blanche Barrow and Claybourne Elder originated the role of Buck Barrow when Bonnie & Clyde first appeared, at the La Jolla Playhouse in fall 2009. It was named Best Musical by San Diego Theatre Critics Circle. They reprised their roles in fall 2010 when the show ran to critical acclaim at the Asolo Repertory Theatre in Sarasota, FL. Osnes created her role in California (opposite Stark Sands) and played Florida, where Jordan became her leading man.
Kathleen Raitt, Jerry Frankel, Jeffrey Richards, Barry Satchwell Smith and Michael Jenkins produced Bonnie & Clyde, which flirts with rockabilly, blues and gospel to tell the tale of a waitress and a troubled Texas teen whose notorious exploits captured the country's imagination during the Depression.
Gospel and folk and country aren't exactly new musical flavors for the prolific Wildhorn — his score to The Civil War was peppered with it. But he does draw a distinction between the two shows.
"Certainly, the Bonnie and Clyde score is more [of a] theatre score," he told Playbill.com earlier this year. "There's no question about that. I am very much wearing the hat where I am serving the book and piece here, but the style of music is very Americana, as opposed to the Civil War score, which was very much east of the Mississippi. This is very much west of the Mississippi, so from Texas two-step to…the Western/Southern style, which is a little more bluesy and a little more Dust Bowl in the guitar sound and things like that. It was so much fun to write that score and so much fun to write for Laura Osnes and Jeremy Jordan and Michael Lanning and all of these great people."
The creative team included Tobin Ost (scenic and costime design), Michael Gilliam (lighting design), John Shivers (sound design), Aaron Rhyne (projection design), Telsey + Company (casting), Charles LaPointe (hair and wig design), Ashley Ryan (makeup design), Steve Rankin (flight director), Neil A. Mazzella and Paul J. Smith (production stage manager).
For tickets and information, visit Telecharge.com or call (212) 239-6200. Visit the official site at BonnieandClydeBroadway.com.
View highlights from the show: