The production, which will be renting the performance space, is not produced by the non-profit Studio Theatre.
Lerner's play was scheduled to receive its world-premiere production at Theater J as part of the Voices From A Changing Middle East Festival, part of the Washington, D.C. Jewish Community Center's Embracing Democracy series. The production sparked a response from the ad-hoc group Citizens Opposed to Propaganda Masquerading as Art, which raised objections to the play, criticizing its portrayal of Israeli's behavior during the 1948 Arab-Israeli War. COPMA staged a campaign to cancel the production, referring to assertions in the play a "blood libel" and has asked that donors to the Jewish Federation withhold contributions as long as the drama is being presented by the DCJCC, of which Theater J as a program. Leaders of the Dramatists Guild of America, including Stephen Schwartz and John Weidman, spoke out in support of the production.
In a response to the objections voiced by COPMA, Theater J reduced the run of The Admission, downgrading it from a 34-performance run to a workshop presentation of 16 performances, featuring a talk back after each performance.
Here's how The Admission is described by Theater J: "An Israeli homage to All My Sons set in Haifa during the first Intifada. Giora is a young professor engaged to Neta but in love with Samia, the Palestinian daughter of a family friend who becomes troubled when Giora's father's company begins building on the site of a battle that took place 40 years ago. Giora struggles to find the truth about his father's war-time secrets, confronting the causes of his brother's death and how Giora came to incur his own war-time injuries in Lebanon. As Giora's family presses him to look forward, not back, the play asks how we can move forward toward peace while still wrestling with the ghosts of war."
Read Playbill.com's interview with Ari Roth, artistic director of Theater J, and Ralph Sevush, executive director of business and legal affairs and board member and officer of the Dramatists Legal Defense Fund.
Shallal and Roth told the Post that audience response to the workshop run of The Admission was so strong that Roth contacted Shallal about producing an extension.
"It speaks to a topic that Arabs and Jews tend not to want to touch," Shallal, who had long been a member of Theater J's advisory council, told the Post. "This is a play that brings the narrative together and that forces you to look at the other side. It needs to be exposed to more audiences, because it really helps to bring about some really solid dialogue."
Studio Theatre's Mead Theatre is located at 1501 14th Street NW. Visit theadmission.bpt.me for tickets and more information.