Eli's Comin' wants to return Off-Broadway for fall 2001. According to Vineyard Theatre artistic director Douglas Aibel's statement, the company that produced the successful musical of Laura Nyro tunes is "actively pursuing a remount or transfer of Eli's Comin' for the upcoming season, and hopefully will be able to reunite the original cast when the right space becomes available."
That female cast — Broadway's Judy Kuhn, Ronnell Bey, Anika Noni-Rose and Mandy Gonzalez — all took home Obies for their work on the show, which visits the rock and pop music of Nyro.
Born in the Bronx, Nyro grew up listening to varied sources, from Debussy to Coltrane to Burt Bacharach and doo wop. By the time she was 17, she had sold her first song, "And When I Die," to Peter Paul and Mary. She would go on to compose the hits "Stoned Soul Picnic," "Stoney End," "Wedding Bell Blues," "Sweet Blindness" and "Eli's Comin'." Nyro, whose songs have been recorded by Frank Sinatra, Phoebe Snow, Linda Ronstadt and Three Dog Night, died of ovarian cancer at age 49 in 1997.
But Eli's Comin', as co-created by the musical's director Diane Paulus and Bruce Buschel, is not an autobiographical show or a revue. Its closest cousin may be Mamma Mia!, where the artists' songs inform the emotions of the scene. Of course, Eli's Comin' is more serious in tone than the ABBA musical. It follows the path of artist Emmie as she traverses the heart and soul of the city, looking for salvation in the mothers and children and angels and demons that inhabit it. Many sequences involve a dancing man (Wilson Jermaine Heredia) tempting the women into addiction.
Jazz musician and Running Man composer Diedre Murray created the musical arrangements. She has chosen to score Nyro's songs for a six piece jazz ensemble.
Designing Eli's Comin' are Drama Desk set design nominee G. W. Mercier (Bed and Sofa, Dream True), costumer Linda Cho, lighting designer Jane Cox and sound designer Brett Jarvis.
— By Christine Ehren