|Photo by Aubrey Reuben|
This fall, that musical is arguably Women on the Verge of a Nervous Breakdown. A few years ago, the thought of a stage adaptation of a film by Spanish film auteur Pedro Almodóvar might have been considered ludicrous. But in 2007, London playwright Samuel Adamson showed the world that the feat could be done and done well, when his theatricalization of Almodóvar's All About My Mother was a critical and popular hit.
Women on the Verge adds music to the equation, pushing the Almodóvar envelope a little further. Undersung Broadway veteran David Yazbek (The Full Monty, Dirty Rotten Scoundrels) is providing that score for Lincoln Center Theater, ensuring that Almodóvar's flamboyant, funny scenarios will get tunes to match. Jeffrey Lane, also of Dirty Rotten Scoundrels, has penned the book, Gypsy co-stars Patti LuPone and Laura Benanti reunite for the production, joining Brian Stokes Mitchell and Sherie Rene Scott, and LCT golden boy Bartlett Sher directs, beginning Oct. 2 at the newly restored Belasco Theatre.
Another screen-to-stage musical is Elf, a new show by Matthew Sklar and Chad Beguelin (the team from The Wedding Singer), with a book by Bob Martin (The Drowsy Chaperone) and Thomas Meehan (The Producers). Casey Nicholaw directs the story of an orphaned boy who is raised by Santa's elves and is unaware he is a human. It begins Nov. 2 at the Al Hirschfeld Theatre. With no Grinch in sight this Broadway season, the show may prove a popular holiday-themed show.
If one judging simply by sheer amount of news ink, Spider-Man Turn Off the Dark would seem to be the most anticipated new musical of the fall. However, a lot of that press had to do with the myriad casting, production and money woes that have surrounded the expensive (a reported $40 million) undertaking , which has a score by U2's Bono and The Edge, and is directed by Julie Taymor. Things seemed to have settled down in recent weeks, with a cast — including Reeve Carney as Spidey, Jennifer Damiano as MJ and Patrick Page as the Green Goblin — announced, and a long rehearsal period getting underway. The show is set to begin previews Nov. 14 at the newly renamed Foxwoods Theatre (née Hilton Theatre) on 42nd Street.
|photo by Paul Kolnik|
Also making the move uptown — this time from the Public Theater — will be Alex Timbers and Michael Friedman's Bloody Bloody Andrew Jackson, which re-imagines our seventh President as a populist rock star. The show was extended many times downtown. Newcomer Benjamin Walker will star as Battle-of-New-Orleans-fightin', Second-Bank-of-The-United-States-smashing Old Hickory. Previews begin Sept. 20 at the Bernard Jacobs Theatre.
The Public Theater is full of Broadway transfers this season. Also coming is the summer's acclaimed Central Park staging of The Merchant of Venice starring Al Pacino. It will begin a limited run at the Broadhurst Oct. 19.
Two shows will compete for the title of Most Quixotic Venture of the autumn. The Pee-wee Herman Show marks the return — and legitimate debut — of the iconic 1980s kiddie-show creator and star, Paul Reubens. (The work has roots in a 1980s L.A. stage show of the same name, and also borrows elements from the hit TV show, "Pee-wee's Playhouse.") It will be the first production to play the newly christened Stephen Sondheim Theatre (formerly Henry Miller's Theatre), starting a limited run Oct. 26.
More literary, but just as whimsical, will be a revival of David Hirson's 1991 Molieresque, modern verse play La Bête. Its first time around, the play generated more talk than ticket-sales. But this production will star David Hyde Pierce and Mark Rylance, both Tony winners. One of Broadway's busiest and most successful directors, Matthew Warchus (Boeing Boeing, The God of Carnage), is at the helm. Previews start at the Music Box Sept. 23, following its summer run in London.
|photo by Manuel Harlan|
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