"In the whodunit, I did it," John Douglas Thompson cheerfully confessed at the press meet 'n' greet for A Time to Kill recently. "I take justice into my own hands by taking the lives of two white men who have done unspeakable crimes to my daughter."
The novel that started John Grisham's steady procession of bestsellers, opening Oct. 20 at the Golden Theatre, is the first to become a Broadway play. The mystery it harbors is not whodunit; it's will justice be done? Indeed, is there a time to kill?
Eva Price, the show's other lead producer, is pleased the way the actors fit the characters they're playing. "When I sit and look at our production photos and I look at every actor who plays every role," she said contentedly, "I go down the line and I think, 'I can't picture anyone else for that.' It is a casting-perfection combination."
This production came into being in a very circuitous way — through a documentary Roth produced a few years ago on shelter animals called "My Dog: An Unconditional Love Song." She was approached by a gentleman who wanted to do a companion book on dogs for the film, so they took a meeting. "He walked into my office not knowing I was a theatre producer, thinking I was just some crazy dog lady, and we had our talk. At the end of it, he identified himself as a literary manager and said he represented John Grisham. He said, 'A Time to Kill was John's first book, and it's the one book he always felt could be adapted for the stage. Would you be interested?' I said, 'Sign me right up. I'm your gal.' That accidental encounter led to all of this."
Set in the magical world of La Belle Epoque Paris, where fashion, glamour, and passion prevail, Lerner and Loewe's celebrated musical is a romantic comedy about one young woman's journey to find her true self... and her true love.