Dominic Fumusa (Tape and [sic]) won't make the leap to the Kerr; the role is being recast. Fumusa played Toddy Koovitz, one of the macho ballplayers on a Yankees-like team surprised when the star player comes out of the closet in an incident-packed season.
Take Me Out played an extended run at The Public Theater/New York Shakespeare Festival's three quarter Anspacher space Aug. 23-Nov. 24 following a summer run in London. Fall tickets to the world premiere co-production by the Public and the Donmar were hard to get once news spread about the show's content, which intrigued multiple demographics: A star ballplayer comes out of the closet at a press conference in a season packed with racial tension, violence and celebrity ego. Did we mention the killing in Act Two? Did we mention the nude shower scenes? Did we mention the play looks at baseball as a microcosm for America?
Tickets for the Broadway run quietly went on sale via Tele charge before the run at Off-Broadway's Public ended, but the sales weren't advertised in deference to the not for profit Public's continuing run. In-person sales begin Jan. 6, 2003 at the Walter Kerr Theatre (the day after Proof closes there).
The play will be somewhat revised for Broadway, Greenberg told Playbill On-Line. The playwright said the script will sport significant revisions. Greenberg told Playbill On-Line that he has been making cuts to the play since it began its Off-Broadway run. "It is already shorter than is was opening night," he said, "by about six or seven minutes. There are all sorts of approaches to [cutting]."
The current third act will also be briefer on Broadway, as will the longest of the play's shower scenes. Variety recently suggested that Take Me Out will go from a three-act to a two-act format.
Carole Shorenstein Hays will partner with Frederick DeMann to be the producing team for the Broadway run of Take Me Out. Hays produced the Pulitzer Prize winning Topdog/Underdog, and The Goat as well as the long-running productions of Proof and The Tale of the Allergist's Wife on Broadway, among many other works. She co-owns the Curran, the Golden Gate, and the Orpheum Theatres in San Francisco, and was previously announced as the sole producer of the Broadway stand of Take Me Out.
Brooklyn native and now Los Angeles resident DeMann recently partnered with Hays to co-produce Topdog/Underdog. The 35-year veteran in the entertainment business helped elevate Madonna and Michael Jackson to international stardom. He was also a producer of Proof. DeMann is in pre-production with HBO on a film based on the life of Peter Sellers starring Geoffrey Rush and directed by Stephen Hopkins.
The creative team's work, including Scott Pask's potent Astro-Turf-trimmed scenic design, will have to be modified for a proscenium house. Designers are Jess Goldstein (costume), Kevin Adams (lighting) and Janet Kalas (sound).
In addition to the much-publicized nudity in the three-act play's locker room scenes, crowds have been wowed by the play's view of baseball as democracy in microcosm, to say nothing of Greenberg's take on celebrity, homophobia, ego, prejudice, friendship and more. Pundits say the confluence of ideas in Take Me Out (the title has many meanings) makes it a likely candidate for the major prizes come spring (Greenberg was a Pulitzer Prize finalist for Three Days of Rain).
The play's central event involves a superstar ball player (played by Daniel Sunjata) telling the world he's gay and the ramifications of the disclosure, though the play reaches beyond that plot point. Observers have pointed out the incident is just that — incidental to the larger canvas.
The play was a hot prospect for commercial transfer since its first preview. It will be the third Public Theater production in a year to transfer to Broadway, following Elaine Stritch At Liberty and Topdog/Underdog.
Sanguine reviews and pre-opening newspaper articles about Take Me Out's sexual, racial and sports content — to say nothing of the male nude scenes — have fueled intense interest from sports fans and traditional theatregoers alike.
Greenberg has kept New York City supplied with a steady stream of plays lately, included Everett Beekin and The Dazzle, but Take Me Out looks to be his hottest property since Three Days of Rain became one of the most-produced plays in the U.S. He is also the author of Eastern Standard, Night and Her Stars and The Extra Man.
Greenberg — who was not, until recently, a sports fan — wrote the play after becoming suddenly obsessed with baseball one recent summer. A choice bit of dialogue from the work runs: "If I'm gonna have sex — and I am because I'm young and rich and famous and talented and handsome so it's a law — I'd rather do it with a guy, but, when all is said and done...I'd rather just play ball."
O'Hare steals scenes as a gay accountant who takes on Darren as a client and finds his world changed by the infinite possibilities and numerical elegance of the game, which, he points out, has no clock.
For ($20-$80) ticket information for Broadway's Take Me Out, call Tele-charge at (212) 239-6200.