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Billy Elliot, Norman Conquests, Hair, God of Carnage Are Tony Award Winners
By Kenneth Jones
Billy Elliot, the British-born musical about a miner's son who wants to be a ballet dancer, and God of Carnage, Yasmina Reza's dark comedy about two couples who squabble over a playground incident involving their children, were named Best Musical and Best Play, respectively, at the 2009 Tony Awards June 7 at Radio City Music Hall. Stephen Daldry, who also directed the musical's source film, also called "Billy Elliot," took home the Tony for Best Direction of a Musical (it's his second Direction Tony after Inspector Calls in 1994). Lee Hall won for his libretto, based on his screenplay, which was inspired by events in his own life, though he is not a dancer. Matthew Warchus — who was competing against himself in the category of Direction of a Play (for God of Carnage and the revival of The Norman Conquests) — snagged the Tony for staging Carnage, another production that began in London (the Broadway company includes American stars). Christopher Hampton, not incidentally, penned the English language translation of Reza's French play, which, for Broadway, places its character in the gentrified Brooklyn neighborhood of Cobble Hill. He also translated Reza's previous Best Play Tony winner, Art. The 1973 trio of Alan Ayckbourn plays that make up the almost eight-hour Norman Conquests (and play in rep through July 25 at Circle in the Square Theatre) won the Tony as Best Revival of a Play. Hair was named Best Revival of a Musical. This Diane Paulus-directed production of the famous "American Tribal Love Rock Musical" began as a Public Theater/New York Shakespeare Festival outdoor concert in Central Park in 2007, followed by a full production there in summer 2008, at the Delacorte. The Broadway version was altered to be performed in a psychedelic theatre setting rather than a literal outdoor grassy knoll. The show's trip to Broadway was bumpy: Producer credits shifted in the months leading to its bow and there were reports of capitalization issues. The reviews were raves, the Tony solidifies its success. The three teen-age actors who play Billy Elliot, a role that requires them to sing, act and do tap, ballet and modern dance, were packaged together as one Best Lead Actor in a Musical. They won the award in that category. They are David Alvarez, Trent Kowalik and Kiril Kulish. They thanked parents, siblings, dance teachers and Billy Elliot colleagues. This is the first time in the 63 years of the Tonys that three actors won for one role in the same category. (When asked recently by Katie Couric about eventually having to outgrow the role, the boys told her they try not to think about that.) Peter Darling, whose musical staging and movement seamlessly meshes with Daldry's direction of Billy Elliot, won for Best Choreography. In one scene in the musical set in a blue collar world of striking British miners, a grandmother has a memory of drinking and dancing in a long-ago dance hall, and men from her past bleed through the walls in slow motion, pulling chairs along until they inscrutably exit through walls and windows of the set (and her mind). Billy Elliot asks Darling the address all kinds of dance, including the now-famous pas de deux Billy does with his older self (seen in the expansive, inclusive opening number of the Tonys). Alice Ripley, who plays a depressed, grieving, unstable, bipolar mom who sings about her pain in rock songs in Next to Normal, was named Best Lead Actress in a Musical. She quoted John F. Kennedy in her acceptance speech, occasionally shouting her words for emphasis. (She was previously nominated for the cult musical Side Show.) Best Score of a Musical went to composer Tom Kitt and lyricist Brian Yorkey for their kinetic, rock-driven storytelling in Next to Normal, a rare original musical not based on source material (Yorkey was nominated for Best Book, as well). The writers mentioned the show's developmental steps and advocates on the way to Broadway, including Off-Broadway's Second Stage, Arena Stage in Washington, DC, the Village Theatre in Washington state, The BMI Workshop, the Jonathan Larson Foundation and the New York Musical Theatre Festival. The Tony win is considered a great show of faith to writers of original musicals. Octogenarian Angela Lansbury won her fifth Tony Award (this time as Best Featured Actress in a Play) for playing the dotty medium Madame Arcati in Blithe Spirit. She is the second actress in Tony history to win five awards (she tied Julie Harris). "I feel deeply grateful," Lansbury said. "Being with all you Broadwayites is the greatest gift in my old age that I can possibly imagine. Thank you for having me back." Liza Minnelli was also back as part of a Tony winning show: Liza's at the Palace…! won as Special Theatrical Event. A section of the limited-run concert show (now closed) was a tribute to actress, singer and vocal coach Kay Thompson, Minnelli's godmother. (The show has been preserved on a cast album.) Geoffrey Rush, the Academy Award winning actor who plays the limber, fumbling, bumbling monarch in the rare revival of Eugene Ionesco's Exit the King, an absurd rumination on power and male mortality, won as Best Lead Actor in a Play. This new production of the darkly comic play began its life in Sydney and Melbourne, Australia. (Rush was an Oscar winner for the movie "Shine.") Academy Award winner Marcia Gay Harden was named Best Lead Actress in a Play for her turn as a caffeinated lover of art who goes ballistic in her living room in God of Carnage. Roger Robinson, who plays the spiritual Bynum in the Lincoln Center Theater revival of August Wilson's Joe Turner's Come and Gone, won the Tony for Best Featured Actor in a Play. He was previously nommed in the same category in Wilson's Seven Guitars. In accepting the award, the veteran actor said, "It has taken me 46 years to come from that seat up these steps to this microphone." He thanked his 98-year-old mother, who was watching TV from Washington state. The 63rd Annual Tony Awards — recognizing plays, musicals, specialty shows and the artists who brought them to life in 2008-09 — were broadcast on CBS-TV 8-11 PM (ET). The so-called Creative Arts Awards — recognizing Best Book of a Musical, Best Choreography, Best Sound Design of a Musical, Best Sound Design of a Play, Best Scenic Design of a Musical, Best Scenic Design of a Play, Best Lighting Design of a Musical, Best Lighting Design of a Play, Best Orchestrations, Best Costume Design of a Play, Best Costume Design of a Musical — were handed out 7-8 PM in a pre-broadcast ceremony at Radio City. It was seen at tonyawards.com. The nominees and winners of the 2009 Tony Awards follow, with winners indicated in boldface with an asterisk.
*Billy Elliot, The Musical Best Performance by a Leading Actor in a Musical
Guys and Dolls Best Play
Dividing the Estate
Joe Turner's Come and Gone
Best Performance by a Leading Actress in a Play
David Bologna, Billy Elliot, The Musical *Gregory Jbara, Billy Elliot, The Musical Marc Kudisch, 9 to 5: The Musical Christopher Sieber, Shrek The Musical Will Swenson, Hair Best Special Theatrical Event
*Liza's at The Palace Best Direction of a Musical
Billy Elliot, The Musical
*Next to Normal
9 to 5: The Musical
Shrek The Musical
Best Performance by a Featured Actress in a Play
*Billy Elliot, The Musical, Lee Hall
Best Choreography
Special Tony Award for Lifetime Achievement in the Theatre
Billy Elliot, The Musical - 10 Playbill Magazine editor Blake Ross was Tweeting on Twitter during the Tony telecast (at twitter.com/playbillmag). Check out Playbill.com's Tony Blog, from the press room of the Tonys. For more information visit www.tonyawards.com. |
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