The Wizard and I: The Musical Journey of Stephen Schwartz Made Magic at Carnegie Hall

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15 Apr 2013

Norm Lewis
Norm Lewis

Jeremy Jordan, Norm Lewis, Julia Murney and Jennifer Laura Thompson joined the New York Pops April 12 to celebrate the work of Academy Award-winning and Tony-nominated composer Stephen Schwartz and Playbill was there.

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When the hit Broadway comedy Butterflies Are Free opened in 1969, there was a press story or two noting that the title song—a tuneful ditty sung by the blind hero, with guitar—was written by a precocious 21-year-old songwriter. Said songwriter is now 65, and his catalogue—catapulted by the megahit Wicked—earned him a birthday concert at Carnegie Hall last night, with Stephen Reineke and the New York Pops guiding us through The Wizard and I: The Musical Journey of Stephen Schwartz. Four top Broadway names—Jeremy Jordan, Norm Lewis, Julia Murney and Jennifer Laura Thompson—took the stage along with Judith Clurman's Essential Voices USA to join the celebration.

The festivities started with an 11-minute overture, "Wicked: A Fable for Orchestra," a concert piece arranged by Schwartz and orchestrator William David Brohn. The stars came on for "The Spark of Creation," from Children of Eden, leading one to wonder whether this musical—which had a disastrous London premiere in 1991 and has never braved Broadway—might work with voices of this caliber. This notion was seconded when Jordan immediately followed with what would be a highlight of the evening, "Lost in the Wilderness."

Jordan (Newsies, "Smash") noted, with excitement, that this marked his Carnegie Hall debut. This was echoed soon thereafter by both Murney (Wicked, The Wild Party) and Thompson (Urinetown, Nice Work If You Can Get It). Murney described an early audition she had for the Schwartz-revue Snapshots when she came to town in 1996; the composer himself asked her to sing the treacherously difficult "Meadowlark" from The Baker's Wife. She did, got the part, and sang the song in the show. She reprised it at Carnegie, to great effect.



This was followed by "West End Avenue" from The Magic Show, from Thompson, and two Pippin songs: "Magic to Do" from Lewis and "Morning Glow." Jordan sung the latter better than ever we've heard. The act ended with a somewhat out-of-place medley from Godspell. "All for the Best" sung by the 86-voice strong Essential Voices to an accompaniment of sandpaper blocks, tambourine, and 47 strings playing pizzicato sounded somewhat foreign in the 2,800-seat Carnegie Hall.

The second act began with an evocative orchestral suite from Schwartz's 2009 opera, Séance on a Wet Afternoon. Then came four selections from animated films, "Out There" (from "The Hunchback of Notre Dame") and "Colors of the Wind" (from "Pocahantas"), both with music by Alan Menken; and "Through Heaven's Eyes" and "When You Believe," from the Schwartz-composed "Prince of Egypt". These were sung, respectively, by Jordan, Murney, Lewis and Thompson.

Lewis had some lyric trouble on "Magic to Do" and "Through Heaven's Eyes," but the evening rebounded with one of its strongest moments, with Essential Voices presenting the New York premiere of Schwartz's highly effective Testimony. This piece, derived from the "It Gets Better" project, was written for a 2012 concert by the San Francisco Gay Men's Chorus. Now available in an S.A.T.B. arrangement, it deserves wide exposure. Essential Voices, which participated in half the vocal numbers, did a fine job throughout.

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